예스24

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소울의 여제 아레사 프랭클린이 1971년 2월 나흘동안 샌프란시스코의 필모어 웨스트에서 가졌던 공연 실황의 정수만을 모은 라이브 앨범. <br>
코넬 듀프리(기타), 빌리 프레스튼(오르간), 킹 커티스(색소폰), 멤피스 혼 과 같은 당대 최고의 연주가들이 든든히 뒤를 받힌 이 앨범이야 말로 아레사 프랭클린의 폭발적인 에너지를 남김없이 드러낼 수 있도록 하고 있다. <br>
“Bridge Over Troubled Water”와 “Eleanor Rigby”의 감동도 적지 않지만. 레이 찰스와 함께한 “Spirit in the Dark”는 이 앨범의 존재 이유이다. <br>
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아날로그 마스터 테이프로부터 풀 아날로그 마스터링 체인을 이용한 오디오파일 180g LP

"Live At Fillmore West" - Aretha Franklin, Ray Charles (voc, el-p); King Curtis (ts, ss); Billy Preston (org); Truman Thomas (el-p); Cornell Dupree (g); Jerry Jemmot (b); Bernard Purdie (dr); Pancho Morales (cga); a.o.

?Live recordings come up with extremely different results: most of them land in the rubbish bin, some of them are available as bootleg copies when a star’s career has ended and are passed on conspiratorially from one excited collector to another. Only a very few conserve real spirit and sheer enthusiasm, which no arranger or sound mixer can conjure up in the studio.
But even more sensational was Aretha Franklin’s guest appearance at the Fillmore West, the legendary concert hall in San Francisco, which closed down shortly afterwards. Everyone knew who was going to perform, and yet everything was quite different on these three nights in the spring of 1971: her usual show band was left behind in Detroit and she appeared with King Curtis And The Kingpins - one of the most impressive bands around - accompanied by the trailblazers Cornel Dupree (g) and Bernard Purdie (dr). The Memphis Horns, a fantastic horn section, blast away in the background, their keen as a razor backings rising up to soaring heights. From Billy Preston’s fingertips on the organ flows an aura of spiritual energy and Ray Charles, who by chance (but how fortuitous!) was among the audience also got his appearance in the telling title "Spirit In The Dark". No words need be lost about the queen on the cover. For without the superb albums of the late Sixties, Aretha Franklin would never have become the USA’s first sister of soul nor would she have appeared in the Fillmore West.

This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. More information under http://www.pure-analogue.com. All royalties and mechanical rights have been paid.

Recording: February 1975 live at Fillmore West, San Francisco, by Ray Thompson
Production: Jerry Wexler and Arif Mardin

Ratings
Allmusic: ★★★★☆
Discogs: 4,39 / 5 
Rate Your Music: 3,70 / 5

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