Introduction 1. Revisiting the ethnographic turn in contemporary art 2. The rhetorical turn in contemporary art and ethnography 3. Participation, Art and Digital Culture 4. Woundscapes’: suffering, creativity and bare life – practices and processes of an ethnography-based art exhibition 5. Towards an ethnographic turn in contemporary art scholarship 6. Beyond the Ethnographic Turn: Refiguring the Archive in Selected Works by Zanele Muholi 7. Aesthetics of self-scaling: parallaxed transregionalism and Kutluğ Ataman’s art practice 8. Making sense: affective research in postwar Lebanese art 9. The artist as anthropologist of the current globalisation: a view on the present-day cultural imagination in the artworks of Xu Bing, Takashi Murakami and Shahzia Sikander 10. Organising complexities: the potential of multi-screen video-installations for ethnographic practice and representation 11. A Different Point of View: Women’s Self-representation in Instagram’s Participatory Artistic Movements @girlgazeproject and @arthoecollective 12. YouTube Scenes and the Public Re-seen: Natalie Bookchin and the Digital Public 13. Staging the World: Cross-Cultural (Il)literacy, Taiwan’s Mobile Stage Phenomenon, and Shen Chao-liang’s Stage Series 14. Unlearning Imperialism Through Artistic Remediation: A Critical Pedagogy Approach 15. Archival F(r)ictions: A Queer Vocabulary for a Live art Pedagogy 16. Urban cracks: sites of meaning for critical artistic practices 17. To cite … in time 18. FIG(URATIONS): One Extended Metaphor for the Poetic Method, a Vignette for Convolute H (and an Ode to Walter Benjamin)