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Contents
CHAPTER I. For forty-eight hours CHAPTER II. Marion Duer and Doris Alexander CHAPTER III. At almost this same moment CHAPTER IV. Annie CHAPTER V. Norma Sheridan CHAPTER VI. To Leslie Melrose CHAPTER VII. Christopher had gone down CHAPTER VIII. Mrs. Melrose frequently came in CHAPTER IX. This was on Friday CHAPTER X. So it came about quite naturally CHAPTER XI. Norma had indeed chanced to CHAPTER XII. Eight months later CHAPTER XIII. Norma met Chris CHAPTER XIV. On the memorable night CHAPTER XV. It was long afterward CHAPTER XVI. In mid-Lent CHAPTER XVII. However, that hour had borne fruit CHAPTER XVIII. Two days later CHAPTER XIX. Wolf walked with her CHAPTER XX. More than a week later CHAPTER XXI. Suddenly and smoothly CHAPTER XXII. In the beginning CHAPTER XXIII. Regina, coming through the hallway CHAPTER XXIV. To Rose and her mother CHAPTER XXV. Before she had been married ten days CHAPTER XXVI. So the summer fled CHAPTER XXVII. The bitterness stayed with her CHAPTER XXVIII. And then suddenly she was delighted CHAPTER XXIX. Despite their resolve CHAPTER XXX. So matters went on CHAPTER XXXI. Mrs. Melrose never spoke again CHAPTER XXXII. Moving automatically through the solemn scenes CHAPTER XXXIII. The evening moved through its dark CHAPTER XXXIV. Regina roused Norma CHAPTER XXXV. Aunt Kate was out CHAPTER XXXVI. It was ten o'clock CHAPTER XXXVII. It was exactly nineteen minutes past five o'clock |
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제목이 가리키는 "사랑받는 여인"이 누구인지, 소설은 끝까지 조금씩 답을 바꾼다. 그것이 이 책의 방식이다.
폭설로 시작하는 도입부가 좋다. 뉴욕이 눈 아래 잠기고 사람들은 각자의 집에, 각자의 계급 안에 갇힌다. 노리스는 이 갇힘을 배경으로만 쓰지 않는다. 멜로즈 부인이 병상에 누운 딸을 보러 나서는 짧은 이동만으로도, 이 집안 사람들이 서로에게 얼마나 멀리 있는지가 드러난다. 바깥의 소란과 앨리스의 방을 채운 정적, 그 대비가 소설 초반을 지탱한다. 노리스가 가장 예리해지는 지점은 돈과 애정이 구별되지 않는 집안의 풍경을 그릴 때다. 이 가족에게 사랑은 언제나 상속과 체면과 뒤섞여 있고, 누구도 그 셋을 분리해서 말하지 못한다. 다만 후반부에서 갈등이 지나치게 순하게 풀리고, 몇몇 인물은 주제를 대변하는 자리에 머문다. 그럼에도 이 소설이 남기는 질문은 묵직하다. 사랑받는다는 것과 필요한 존재가 된다는 것은 과연 같은 일인가. The novel keeps quietly revising its answer to the question of who the beloved woman actually is. That is the method of the book. The snowstorm that opens it is finely handled. New York goes silent under the fall, and everyone is shut in ? inside their houses, inside their class. Norris does not use the weather merely as scenery. Mrs. Melrose's short journey to her invalid daughter is enough to show how far apart these people have drifted from one another, and the contrast between the noise of the street and the stillness of Alice's room carries the early chapters. Norris is sharpest where money and affection have grown indistinguishable. In this family, love always arrives mixed with inheritance and appearances, and no one can speak of one without the others. The later sections resolve their conflicts too gently, and one or two characters remain positions rather than people. Still, the question the book leaves behind has weight: whether being loved and being needed are, in a household like this one, the same thing at all. |