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Contents
CHAPTER I. The marriage of Albert Bradley CHAPTER II. The week dragged by CHAPTER III. It was a happy time CHAPTER IV. They had been married eleven days CHAPTER V. They both were destined to learn CHAPTER VI. It was their first Christmas CHAPTER VII. She was still the centre CHAPTER VIII. The Old Hill House CHAPTER IX. When the second boy came CHAPTER X. Nevertheless, she accepted the invitation CHAPTER XI. The dinner was an ordeal CHAPTER XII. But it was almost a year CHAPTER XIII. For a year or two the Bradleys CHAPTER XIV. So the Bradleys had a bank account CHAPTER XV. One day Bert told Nancy CHAPTER XVI. However, on Sunday she forgot CHAPTER XVII. Twenty-five thousand CHAPTER XVIII. An hour later CHAPTER XIX. That same week CHAPTER XX. The rest of that summer CHAPTER XXI. Up to this time CHAPTER XXII. Miraculously CHAPTER XXIII. Life spun on CHAPTER XXIV. There was a brief halt CHAPTER XXV. There was no stopping half way CHAPTER XXVI. Worse than any real CHAPTER XXVII. But Nancy began to ask herself seriously CHAPTER XXVIII. Bert was very late CHAPTER XXIX. No formal reconciliation ended CHAPTER XXX. The whole trouble is that Bert loves CHAPTER XXXI. Dummy again CHAPTER XXXII. The last words were no more than a breath CHAPTER XXXIII. Blinded with an exquisite rush of tears CHAPTER XXXIV. His mother had straightened her hair CHAPTER XXXV. For two hours more the Bradleys sat CHAPTER XXXVI. That night they slept CHAPTER XXXVII. Contentedly, the Bradleys dined CHAPTER XXXVIII. Another silence |
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제목이 모든 것을 말한다. 저류(undertow)는 눈에 보이지 않는다. 수면은 잔잔한데 발밑에서 무언가가 계속 끌어당긴다. 노리스는 이 소설에서 결혼을 그렇게 그린다.
낸시와 버트는 반대를 무릅쓰고 결혼한다. 이유는 단순하다. 돈이 없기 때문이다. 그리고 이 소설의 대부분은 그 사실이 몇 해에 걸쳐 두 사람을 어떻게 바꾸어 놓는지를 따라간다. 극적인 배신도, 결정적인 사건도 없다. 대신 셋집이 좁아지고 아이가 늘고 계산이 매달 어긋난다. 노리스가 가장 잘하는 것이 이런 축적의 서술이다. 결혼이 무너질 때 그것은 대개 한순간이 아니라 천천히 마모되는 방식이라는 사실을, 그녀는 알고 있다. 낸시라는 인물이 특히 좋다. 결혼 전에는 스스로 벌어 살던 여자가 어떻게 자기 시간을 잃어 가는지, 그 상실을 스스로도 오래 알아차리지 못한다는 점이 아프게 그려진다. 후반부의 도덕적 결론은 다소 성급하고 관대하다. 그럼에도 이 책은 남는다. 사랑이 부족해서가 아니라 삶이 사랑을 다 써 버릴 수도 있다는 것을, 조용히 그러나 분명하게 말하기 때문이다. The title does the work. An undertow is invisible: the surface stays calm while something below keeps pulling. That is how Norris renders a marriage in this book. Nancy and Bert marry against their families' wishes for the simplest reason ? they have no money ? and most of the novel consists of watching what that fact does to them across a span of years. There is no dramatic betrayal, no decisive catastrophe. There are smaller rooms, more children, and accounts that come out wrong month after month. Accumulation is what Norris does best, and she understands that marriages usually fail not in a moment but by slow wear. Nancy is the finest thing in the book. A woman who earned her own living before her wedding, she loses her hours so gradually that she cannot say when it happened, and the novel is painfully good on that unnoticed subtraction. The moral resolution in the final chapters arrives too quickly and forgives too readily. Even so, the book stays with you, because it says something quietly true: a marriage can fail not for want of love but because ordinary life spends all of it. |