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소득공제 EPUB
eBook 굿 솔저 / The Good Soldier (영문판)
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PART I
I
II
III
IV
V
VI
PART II
I
II
PART III
I
II
III
IV
V
PART IV
I
II
III
IV
VI
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(참고) 분량: 약 39 만자

저자 소개

포드 매덕스 포드(Ford Madox Ford, 1873~1939)는 영국의 소설가이자 시인, 평론가, 편집자로 활동한 20세기 영문학의 주요 작가입니다. 전통적인 서사 구조에서 벗어나 기억과 인식의 불확실성, 시간의 비선형성, 주관적인 시점을 적극적으로 활용한 그는 모더니즘 문학의 발전에 큰 영향을 끼쳤습니다. 대표작으로는 '굿 솔저'와 '퍼레이드의 종말' 연작이 있으며, 문학 잡지 편집과 비평 활동을 통해 당대 작가들의 작품을 널리 알리는 데에도 기여했습니다. 특히 인간의 기억과 진실이 얼마나 불완전하고 복잡한지를 탐구한 그의 작품들은 오늘날에도 현대소설의 형식과 서술을 이해하는 중요한 텍스트로 읽히고 있습니다.

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2026년 11월 06일
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크레마,PC(윈도우 - 4K 모니터 미지원),아이폰,아이패드,안드로이드폰,안드로이드패드,전자책단말기(저사양 기기 사용 불가),PC(Mac)
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약 33.5만자, 약 7.5만 단어, A4 약 210쪽 ?
ISBN13
9791139838039

출판사 리뷰

<미리 보기>
THIS is the saddest story I have ever heard. We had known the Ashburnhams for nine seasons of the town of Nauheim with an extreme intimacy?or, rather with an acquaintanceship as loose and easy and yet as close as a good glove’s with your hand. My wife and I knew Captain and Mrs Ashburnham as well as it was possible to know anybody, and yet, in another sense, we knew nothing at all about them. This is, I believe, a state of things only possible with English people of whom, till today, when I sit down to puzzle out what I know of this sad affair, I knew nothing whatever. Six months ago I had never been to England, and, certainly, I had never sounded the depths of an English heart. I had known the shallows.
I don’t mean to say that we were not acquainted with many English people. Living, as we perforce lived, in Europe, and being, as we perforce were, leisured Americans, which is as much as to say that we were un-American, we were thrown very much into the society of the nicer English. Paris, you see, was our home. Somewhere between Nice and Bordighera provided yearly winter quarters for us, and Nauheim always received us from July to September. You will gather from this statement that one of us had, as the saying is, a "heart", and, from the statement that my wife is dead, that she was the sufferer.
Captain Ashburnham also had a heart. But, whereas a yearly month or so at Nauheim tuned him up to exactly the right pitch for the rest of the twelvemonth, the two months or so were only just enough to keep poor Florence alive from year to year. The reason for his heart was, approximately, polo, or too much hard sportsmanship in his youth. The reason for poor Florence’s broken years was a storm at sea upon our first crossing to Europe, and the immediate reasons for our imprisonment in that continent were doctor’s orders. They said that even the short Channel crossing might well kill the poor thing.
When we all first met, Captain Ashburnham, home on sick leave from an India to which he was never to return, was thirty-three; Mrs Ashburnham ?Leonora?was thirty-one. I was thirty-six and poor Florence thirty. Thus today Florence would have been thirty-nine and Captain Ashburnham forty-two; whereas I am forty-five and Leonora forty. You will perceive, therefore, that our friendship has been a young-middle-aged affair, since we were all of us of quite quiet dispositions, the Ashburnhams being more particularly what in England it is the custom to call "quite good people".
They were descended, as you will probably expect, from the Ashburnham who accompanied Charles I to the scaffold, and, as you must also expect with this class of English people, you would never have noticed it. Mrs Ashburnham was a Powys; Florence was a Hurlbird of Stamford, Connecticut, where, as you know, they are more old-fashioned than even the inhabitants of Cranford, England, could have been. I myself am a Dowell of Philadelphia, Pa., where, it is historically true, there are more old English families than you would find in any six English counties taken together. I carry about with me, indeed?as if it were the only thing that invisibly anchored me to any spot upon the globe?the title deeds of my farm, which once covered several blocks between Chestnut and Walnut Streets. These title deeds are of wampum, the grant of an Indian chief to the first Dowell, who left Farnham in Surrey in company with William Penn. Florence’s people, as is so often the case with the inhabitants of Connecticut, came from the neighbourhood of Fordingbridge, where the Ashburnhams’ place is. From there, at this moment, I am actually writing.
You may well ask why I write. And yet my reasons are quite many. For it is not unusual in human beings who have witnessed the sack of a city or the falling to pieces of a people to desire to set down what they have witnessed for the benefit of unknown heirs or of generations infinitely remote; or, if you please, just to get the sight out of their heads.
Some one has said that the death of a mouse from cancer is the whole sack of Rome by the Goths, and I swear to you that the breaking up of our little four-square coterie was such another unthinkable event. Supposing that you should come upon us sitting together at one of the little tables in front of the club house, let us say, at Homburg, taking tea of an afternoon and watching the miniature golf, you would have said that, as human affairs go, we were an extraordinarily safe castle. We were, if you will, one of those tall ships with the white sails upon a blue sea, one of those things that seem the proudest and the safest of all the beautiful and safe things that God has permitted the mind of men to frame. Where better could one take refuge? Where better?
Permanence? Stability? I can’t believe it’s gone. I can’t believe that that long, tranquil life, which was just stepping a minuet, vanished in four crashing days at the end of nine years and six weeks. Upon my word, yes, our intimacy was like a minuet, simply because on every possible occasion and in every possible circumstance we knew where to go, where to sit, which table we unanimously should choose; and we could rise and go, all four together, without a signal from any one of us, always to the music of the Kur orchestra, always in the temperate sunshine, or, if it rained, in discreet shelters. No, indeed, it can’t be gone. You can’t kill a minuet de la cour. You may shut up the music-book, close the harpsichord; in the cupboard and presses the rats may destroy the white satin favours. The mob may sack Versailles; the Trianon may fall, but surely the minuet?the minuet itself is dancing itself away into the furthest stars, even as our minuet of the Hessian bathing places must be stepping itself still. Isn’t there any heaven where old beautiful dances, old beautiful intimacies prolong themselves? Isn’t there any Nirvana pervaded by the faint thrilling of instruments that have fallen into the dust of wormwood but that yet had frail, tremulous, and everlasting souls?
No, by God, it is false! It wasn’t a minuet that we stepped; it was a prison?a prison full of screaming hysterics, tied down so that they might not outsound the rolling of our carriage wheels as we went along the shaded avenues of the Taunus Wald.
And yet I swear by the sacred name of my creator that it was true. It was true sunshine; the true music; the true splash of the fountains from the mouth of stone dolphins. For, if for me we were four people with the same tastes, with the same desires, acting?or, no, not acting?sitting here and there unanimously, isn’t that the truth? If for nine years I have possessed a goodly apple that is rotten at the core and discover its rottenness only in nine years and six months less four days, isn’t it true to say that for nine years I possessed a goodly apple? So it may well be with Edward Ashburnham, with Leonora his wife and with poor dear Florence. And, if you come to think of it, isn’t it a little odd that the physical rottenness of at least two pillars of our four-square house never presented itself to my mind as a menace to its security? It doesn’t so present itself now though the two of them are actually dead. I don’t know….

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