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eBook The Water Knife
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WATER IS POWER
 
Paolo Bacigalupi, New York Times best-selling author of The Windup Girl and National Book Award finalist, delivers a near-future thriller that casts new light on how we live today—and what may be in store for us tomorrow.

The American Southwest has been decimated by drought. Nevada and Arizona skirmish over dwindling shares of the Colorado River, while California watches, deciding if it should just take the whole river all for itself. Into the fray steps Las Vegas water knife Angel Velasquez. Detective, assassin, and spy, Angel “cuts” water for the Southern Nevada Water Authority and its boss, Catherine Case, ensuring that her lush, luxurious arcology developments can bloom in the desert and that anyone who challenges her is left in the gutted-suburban dust.

When rumors of a game-changing water source surface in Phoenix, Angel is sent to investigate. With a wallet full of identities and a tricked-out Tesla, Angel arrows south, hunting for answers that seem to evaporate as the heat index soars and the landscape becomes more and more oppressive. There, Angel encounters Lucy Monroe, a hardened journalist, who knows far more about Phoenix’s water secrets than she admits, and Maria Villarosa, a young Texas migrant, who dreams of escaping north to those places where water still falls from the sky.

As bodies begin to pile up and bullets start flying, the three find themselves pawns in a game far bigger, more corrupt, and dirtier than any of them could have imagined. With Phoenix teetering on the verge of collapse and time running out for Angel, Lucy, and Maria, their only hope for survival rests in one another’s hands.  But when water is more valuable than gold, alliances shift like sand, and the only truth in the desert is that someone will have to bleed if anyone hopes to drink.


From the Hardcover edition.

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2015년 05월 26일
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출판사 리뷰

Chapter 1

There were stories in sweat.

The sweat of a woman bent double in an onion field, working fourteen hours under the hot sun, was different from the sweat of a man as he approached a checkpoint in Mexico, praying to La Santa Muerte that the federales weren’t on the payroll of the enemies he was fleeing. The sweat of a ten-­year-­old boy staring into the barrel of a SIG Sauer was different from the sweat of a woman struggling across the desert and praying to the Virgin that a water cache was going to turn out to be exactly where her coyote’s map told her it would be.

Sweat was a body’s history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about how a person had ended up in the right place at the wrong time, and whether they would survive another day.

To Angel Velasquez, perched high above Cypress 1’s central bore and watching Charles Braxton as he lumbered up the Cascade Trail, the sweat on a lawyer’s brow said that some people weren’t near as important as they liked to think.

Braxton might strut in his offices and scream at his secretaries. He might stalk courtrooms like an ax murderer hunting new victims. But no matter how much swagger the lawyer carried, at the end of the day Catherine Case owned his ass—­and when Catherine Case told you to get something done quick, you didn’t just run, pendejo, you ran until your heart gave out and there wasn’t no running left.

Braxton ducked under ferns and stumbled past banyan climbing vines, following the slow rise of the trail as it wound around the cooling bore. He shoved through groups of tourists posing for selfies before the braided waterfalls and hanging gardens that spilled down the arcology’s levels. He kept on, flushed and dogged. Joggers zipped past him in shorts and tank tops, their ears flooded with music and the thud of their healthy hearts.

You could learn a lot from a man’s sweat.

Braxton’s sweat meant he still had fear. And to Angel, that meant he was still reliable.

Braxton spied Angel perched on the bridge where it arced across the wide expanse of the central bore. He waved tiredly, motioning Angel to come down and join him. Angel waved back from above, smiling, pretending not to understand.

“Come down!” Braxton called up.

Angel smiled and waved again.

The lawyer slumped, defeated, and set himself to the final assault on Angel’s aerie.

Angel leaned against the rail, enjoying the view. Sunlight filtered down from above, dappling bamboo and rain trees, illuminating tropical birds and casting pocket-­mirror flashes on mossy koi ponds.

Far below, people were smaller than ants. Not really people at all, more just the shapes of tourists and residents and casino workers, as in the biotects’ development models of Cypress 1: scale-­model people sipping scale-­model lattes on scale-­model coffee shop terraces. Scale-­model kids chasing butterflies on the nature trails, while scale-­model gamblers split and doubled down at the scale-­model blackjack tables in the deep grottoes of the casinos.

Braxton came lumbering onto the bridge. “Why didn’t you come down?” he gasped. “I told you to come down.” He dropped his briefcase on the boards and sagged against the rail.

“What you got for me?” Angel asked.

“Papers,” Braxton wheezed. “Carver City. We just got the judge’s decision.” He waved an exhausted hand at the briefcase. “We crushed them.”

“And?”

Braxton tried to say more but couldn’t get the words out. His face was puffy and flushed. Angel wondered if he was about to have a heart attack, then tried to decide how much he would care if he did.

The first time A

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