“The Orlandos sensibly espouse the music’s rough edges (as in the Kyrie Cuthberte), courting roughness themselves in a good cause. Where a more mellifluous tone is required, as in the top-voice-driven Credo by Excetre, they give Matthew Venner’s expressive countertenor full rein.” Gramophone Magazine. April 2017
“The mysterious and influential John Dunstaple (c1390-1453) is the best known of the composers here. His Missa Da gaudiorum premia and Veni Sancte Spiritus are highlights on a fascinating disc…we are lucky to have the Binchois Consort ? here, two altos, four tenors ? to bring this haunting, often jubilant early English repertoire to full-blooded life” The Observer. April 2017