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eBook Minor Feelings
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Cathy Park Hong is the author of three poetry collections including Dance Dance Revolution, chosen by Adrienne Rich for the Barnard Women Poets Prize, and Engine Empire. Hong is a recipient of the Windham-Campbell Literature Prize, a Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. Her poems have been published in Poetry, The New York Times, The Paris Review, McSweeney’s, Boston Review, and other journals. She is the poetry editor of The New Republic and full professor at the Rutgers University?Newark MFA program in poetry.

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2020년 02월 25일
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출판사 리뷰

“Cathy Park Hong’s brilliant, penetrating, and unforgettable?Minor Feelings?is what was missing from our shelf of classics. She brings acute intelligence, scholarly knowledge, and recognizable vulnerability to the formation of a new school of thought she names minor feelings. In conversation with Sianne Ngai’s?Ugly Feelings, Hong charts her emotional life as a Korean American immigrant woman, thereby shattering the concept of a single story of the Asian experience.?Minor Feelings?builds through what Hong names a ‘racialized range of emotions,’ which are routinely dismissed by others.?To read this book is to become more human.”?Claudia Rankine, author of?Citizen

Minor Feelings?is anything but minor. In these provocative and passionate essays, Cathy Park Hong gives us an incendiary account of what it means to be and to feel Asian American today.?Minor Feelings?is absolutely necessary.”?Viet?Thanh?Nguyen, Pulitzer Prize?winning author of?The Sympathizer?and?The Refugees

“Cathy Park Hong’s Minor Feelings truly delivers news we can use. It will educate some and inspire hallelujahs from others; people will productively argue with it, be inspired by it, think and feel with and around it. Hong says the book was ‘a dare to herself,’ and she makes good on it: by writing into the heart of her own discomfort, she emerges with a reckoning destined to become a classic.”?Maggie Nelson, author of The Argonauts and Bluets

Minor Feelings is an essayistic investigation of those feelings so hard to name, a mix of the elusive, denied, unexpected, and unexplored?a fierce catalogue of that which has not been named and yet won’t be ignored; an electric intervention, a provocation, and a renewal.”?Alexander Chee, author of How to Write an Autobiographical Novel

“I seldom finish a book and say we are not ready for what I just read. But we are so not ready for what Cathy Park Hong does in Minor Feelings. And thankfully, she does not care whether we are ready or not. Minor Feelings seals intellectual cracks while patiently revealing emotional and national secrets I was afraid and unwilling to name. Few books change how we talk to each other and whisper to ourselves. Minor Feeling is one of those books that changes the language we use to reckon, to talk, to write, and to hide. Cathy Park Hong sees us. Her vision and execution are so breathtaking. And so genius. And so absolutely scary. Read it. Reread it. It will read you.”?Kiese Laymon, author of Heavy

“Cathy Park Hong’s book is tremendous. The entire time I read, I was hissing yes and yes and YESSSSS and letting my minor feelings become major feelings, which I think is the glory of a book like this?it takes all the parts of us that we can barely account for and gives them back fully recognized. It felt like having someone sit me down in a chair and say, ‘Your feelings are real’ and ‘This is how we got here’ and ‘Here is a way out’ all at once. It broke my heart with relief.”?Mira Jacob, author of Good Talk and The Sleepwalker’s Guide to Dancing

“A?fierce?and?timely?meditation on race and gender issues from [Hong’s] perspective as a Korean American woman . . . Candid and unapologetically political, Hong’s text deftly explores the explosive emotions surrounding race in ways sure to impact the discourse surrounding Asian identity as well as race and belonging in America. . . . A provocatively incisive debut nonfiction book.”?Kirkus Reviews

“In this?blistering essay collection . . . [Cathy Park Hong] is both angry and wryly funny. . . . Her confrontational prose?maintains a poet’s lyricism. . . . Combining cultural criticism and personal exploration, Hong constructs a?trenchant examination?of race in America.”?Publishers Weekly

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