In the work of Chan Sook Choi, experiments with narratology that relate to physical and spiritual migration are represented in multidisciplinary forms including exhibitions, lectures, performances, and publications. She has held solo exhibitions at the Humbolt Forum (Berlin, 2017), Art Sonje Center Project Space (Seoul, 2017), and the Taipei Digital Art Center (2010). In 2021 She has earned selection to visual art support prize from Germany’s Stiftung Kunstfond and received the Korea Artist Prize, awarded by the National Museum of Modern and Contemporary Art, Korea (MMCA) and the SBS Culture Foundation.

Principal Researcher Hyeok Cho graduated from the Painting Department of Hongik Universi- ty and earned an MA in Art History from the same university’s graduate school. Cho later obtained a Ph. D. from Binghamton University State University of New York, focusing on major discourses in Korean art scene since the 1990s, such as postmodernism, feminism, post colonialism, and globalization, with a case study on Lee Bul. Currently, she teaches at the Korea National University of Arts and Sookmyung Women’s University.
Her notable research works include “The Continuity and Diversity of Korean Feminist Art: The 1990s Feminist Art and Publishing Projects of Yun Suknam, Park Youngsook, and Jung Jungyeob” (2023); “Lee Bul’s Art ‘Running Away with All Her Might’ and Art History from a Feminist Perspective” (2021); “A Strategy in-between Universality and Specificity: Speaking through Korean Woman Artist Lee Bul in the Globalized Art World” (2020); and “History of Korean Feminist Art, a Reconstruction of Discourses: The 1980s ‘Yeoseong misul (Women’s Art)’ and the 1990s ‘Postmodern Feminist Art’” (2020).