1. 중국전통문화를 통해서 본 장예모(張藝謀) 초기 영화에 나타난 양성 관계에 관한 고찰 - 「붉은 수수밭(紅高粱, 1988)」, 「국두(菊豆, 1990)」, 「홍등(大紅燈籠高高掛, 1991)」을 중심으로····························································· 9
2. 홍콩영화 「천녀유혼(?女幽魂, 1987)」에 나타난 치정(癡情)의 미학················ 51
3. 「천녀유혼」과 「청사(靑蛇, 1993)」에 나타난 인간세상의 치정에 대한 찬미와 회의······································································································· 77
4. 주제의식과 인물형상의 변화로 본 중국고전 『요재지이 · 섭소천』과 백사전을 개편한 영화에 대한 고찰···································································101
5. 이벽화(李碧華)의 소설 ?진용(秦俑)?과 영화 ?고금대전진용정(古今大戰秦俑情,1990)?에 나타난 중국인의 치정과 회고(懷古),무상(無常)의 정한·················123
6. 홍콩 영화 「연지구(?脂?, 1987)」에 나타난 여성의식과 양성관계···············155
7. 미국 서부 영화 「빅 컨츄리(The Big Country, 1958)」의 인성에 대한 풍자와 갈등·······································································································183
8. 「욕망이라는 이름의 전차(1951)」, 「에덴의 동쪽(1955)」, 「베이비 돌(1956)」, 「초원의 빛(1961)」 등을 통해서 본 엘리아 카잔(Elia Kazan) 감독 영화에 나타난 욕망에 대한 관점·················································································217
9. 영화 「킬리만자로의 눈(1952)」에 나타난 사랑과 야망······························257
10. 영화 「안나 카레니나(1948)」, 「닥터 지바고(1965)」, 「테스(1979)」, 「주홍 글씨(1995)」 속의 양성관계와 사랑·····························································275
11. 프랑스 영화 「시라노(Cyrano De Bergerac, 1990)」에 나타난 치정의 세계·····295
참고문헌·························································································308