Introduction
Part1: Marginalized Voices
1. Real Eyes Realize Real Lies: Writing ‘Fukushima’ through the Child’s Gaze
2. Animal Stories: Agency after Radiation
3. Voice and Voicelessness: Reading Vernaculars in Post-3.11 Literature
Part2: Spatial Acts 4. From That Day Forward: T?hoku,
3.11, and ‘Memory Landscapes’
5. The Nuclear Home and the Alien Village: The Production of Post-3.11 Space in Sakate Y?ji’s Lone War 6. Between Trauma Processing, Emotional Healing, and Nuclear Criticism- Documentary Theater Responding to the Fukushima Disaster
Part3: Border-Crossing
7. Lost in Narration in Tawada Y?ko’s The Emissary 8. Spoiled Meals: Immunitary and Metabolic Imaginaries in Kawakami Mieko’s ‘Dreams of Love, Etc.’ and Murata Sayaka's Convenience Store Woman
Part4: Nuclear Futurity
9. Humanism and the Hikari-Event: Reading ?e with Stengers in Catastrophic Times
10. Afterword: Chernobyl’s Past and Fukushima’s Remembered Future