1. Introduction-After Modernism: Women, Gender, Race
2. The Afters and Now of Modernism: Connecting Leanne Howe’s Native Tribalography and the Decolonizing Arts of Britain’s Kabe Wilson and the Marshall Islands’ Kathy Jetn?il-Kijiner
3. Rethinking the Liberian Predicament in Anti-Black Terms: On Repatriation, Modernity, and the Ethno-Racial Choreographies of Civil War
4. A Grammar of Modern Silence: Race, Gender, and Visible Invisibility in Iola Leroy and Contending Forces
5. Indigenismo and the Limits of Cultural Appropriation: Frida Kahlo and Marina Nunez del Prado
6. Gender and Race in the Modernist Middlebrow: Louise Faure-Favier’s Blanche et Noir
7. Restaging Respectability: The Subversive Performances of Josephine Baker and Nora Holt in Jazz-Age Paris
8. Fashioning Modernism: Rose Piper’s Painting and Fabric Design
9. The “White Darkness”: Considering Modernist Investments in the “Primitive” through Maya Deren’s Work in Haiti (1947?53)
10. Shredding, Burning, Tunnelling: Modernity, Mrs. Dalloway, Sula and My Grandparents circa 1922
11. Doublings and Dissociation in Nella Larsen’s Passing and Helen Oyeyemi’s Boy, Snow, Bird
12. Dream*Hoping into Futures: Black Women in the Harlem Renaissance and Afrofuturism
13. The Black Woman’s Mask: Fanon, Capecia, Conde
14. “In the Centre of Our Circle”: Gender, Selfhood and Non-Linear Time in Yvonne Vera’s Nehanda
15. “Screaming in Delight”: Qiu Miaojin’s Queer Modernist Births in and for Taiwan