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Acknowledgments Introduction 1. Theoretical Background 2. Unchaining Desire in “Ode to a Nightingale” and “In Drear Nighted December” 3. Crossing Borders with the Resurfacing of the Psychotic Material in “Isabella; or, The Pot of Basil,” “Lamia,” and “La Belle Dame Sans Mercy” 4. Becoming Topological in “Ode to a Grecian Urn” Conclusion Index |