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Contents List of figures Acknowledgements A note on translations 1. Lorca’s life in the theatre Formative experiences La Barraca Anfistora Mainstream success 2. Key writings and ideas A Talk About Theatre The modern director Lorca’s ideas on theatre Social commitment and theatre Rhythm & harmony Imagination & inspiration Multidisciplinarity Prologues, Dragon El publico, Comedia sin titulo 3. Key productions Fuente Ovejuna Lorca and the Spanish Golden Age Rehearsing Fuente Ovejuna Casting Co-directing: Ugarte & Maortua de Ucelay Rehearsals and actor training Working on verse Yerma Co-directing: Rivas Cherif Acting work 4. Practical Exercises: Lorca and Rivas Cherif Observations of Lorca’s rehearsals Casting The rehearsal period Verse work Breathing Verse form Punctuation and thought Annotating the text Improvisation Character work Conclusion Bibliography Index |