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Chapter A social monument Tourists and locals An atmospheric lens The Nordic invitation to Participate Immaterial Architecture Chapter 2. Adopting an Atmospheric Lens Atmospheric perspectives Thinking about atmospheres Building experience: architecture and atmosphere Coercive atmosphere Research atmosphere: methods and tools Withdrawing from atmosphere: taking photography seriously Pinholes and Fuzzy Digital media participation Chapter 3. Transformative Participation The road to Bjørvika The Fjord City Bjørvika and beyond Snøhetta A Nolli map Competition entry 04321 The Art A stone saga Rethinking participation: Arnstein’s ladder Chapter 4. Material Participation From the city to the roof Marble: surfaces of the white carpet Whiteness Marble’s social and synesthetic Character Whiteness and a cleansing of the eye Whiteness and blur Designing ambiguity: the palace, whiteness, and a Norwegian sensibility to nature Chapter 5. Movement Participation Architecture of the Oblique Dwelling, Tripping, Inhabiting Life in the Norwegian Open Air Resonance, Dissonance, and a Good-Natured Elitism Chapter 6. Light Participation Nordic Light, Nordic Architecture: From the Roof to the Foyer Daylight in the OOH Artificial Light Transitions From Bubbles to Foam Chapter 7. Art Participation First Encounter with the wall Democratic Surfaces Democratic surrounds: The wall as weather machine Creative Kitchens: process as art The wall through social media Selfies and mirror selfies The wall, Dissensus, and a Partitioning of the Sensible Chapter 8 Conclusion: Exiting the house Bibliography |