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시인의 말 ····················xvii
1부 들판에 서면 늦겨울 아침 ····················3 나비 ·······················4 들판에 서면 ····················5 봄날 ·······················7 싸리울 ·······················9 저녁 강 ······················10 여름밤은 달빛 그물에 걸려 ·············12 산골 버스 ·····················14 여름밤 ······················15 참새 소리 ·····················17 2부 기차를 타고 휴지통 ······················21 코스모스 ·····················23 이슬 ·······················25 기차를 타고 ····················27 가을엔 나무들이 ··················28 저녁마을 ·····················29 별 ························31 편지 ·······················32 물방울 아기 새 풀벌레가 졸라요 ···········34 3부 이슬에게 꽃망울 ······················39 가을꽃 ······················40 나비 ·······················41 이슬에게? ····················43 풀잎에게 ·····················44 코스모스에게 ···················45 꽃밭 ·······················46 어머니 ······················48 할아버지 ·····················49 돌탑 ·······················50 4부 주머니가 비었을 때 주머니가 비었을 때 ················53 교실 ·······················54 풀 ························55 할머니 ······················57 풀벌레 ······················58 봄이 숨어 있다가 ·················60 해바라기 ·····················61 물과 들꽃 ·····················62 이슬아 ······················63 할아버지 이 뽑기 ·················64 5부 살구꽃 필 때면 가을바람과 풀꽃 그리움에게 ············67 꽃밭에서 ·····················69 농촌의 아침 ····················70 사진 ·······················72 살구꽃 필 때면 ··················73 눈을 감으면 ····················75 함박눈 내리는 산골의 밤 ··············77 풀잎 마을 ·····················79 요만큼, 요?만큼씩 ················80 썰매 ·······················81 6부 누구랑 친구 할까 봄과 나무 ·····················85 책에게 묻다 ····················86 귀뚜라미 ·····················87 고향 집 ······················88 감 ························90 엄마 손 ······················91 아가 볼 ······················92 그냥 환하게 뜬 달이 아니고 ·············93 첫눈 ·······················94 누구랑 친구 할까 ·················95 7부 뒷걸음질 빈방 ·······················99 비 그치자 ····················101 봄에는 모두 ···················102 뒷걸음질 ····················103 봄 숲 ······················104 가을 강물 ····················105 할아버지 집 ···················106 사다리 ······················108 씨앗 ·······················110 산 ························111 8부 엄마 엄마 우리 집에 붓과 먹물 ····················115 봄눈 ·······················116 봄빛 3장 ····················117 5월 ·······················119 고향 집의 해 저문 저녁처럼 ············120 엄마 엄마 우리 집에 ················122 빗소리 ······················123 어머니의 아침 ··················124 9부 그때 그 고향 집 설날 ·······················129 나무 ·······················131 국화꽃 ······················133 함지 ·······················134 눈길 ······················136 초청장 ······················138 도깨비바늘 ····················139 그때 그 고향 집 ··················140 23.5° ······················142 꽃의 입덧 ····················143 봄날 우리 집 도랑물 ················145 10부 첫눈 내리는 날 바람 ·······················149 첫눈 내리는 날 ··················150 부탁 ·······················151 초여름 밤 ····················153 콩 잎사귀 사이로 ·················154 산속 우리 집 ···················155 3월의 남대천 ···················157 저녁상 ······················158 까치 ·······················160 나뭇잎과 연못 ··················161 맑은 날 ·····················162 봄눈이 솔솔 ···················163 봄 밭 ······················164 꽃모종을 하고 ··················166 아침은 햇빛과 새와 나무와 바람 속에서 ·······168 안개와 산 ····················170 아버지 ······················171 코스모스 길에서 ·················173 고향 이야기 ···················174 남진원은 ·····················177 지은이 연보 ···················196 |
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함지
멀리서 멀리서 보면 숲 속은 작은 함지 가만히 함지 위에 파란 모자 씌워지고 함지 속 오골 오골 끓는 팥죽 같은 새소리 떼 올망졸망 푸른 산도 내려앉은 함지 속 졸졸졸 시냇물도 노래처럼 흘러가고 귀연 채 어여쁜 황새 꽃이 되어 서 있네. 오솔길엔 쪼르르르 다람쥐도 꺼내 놓고 돌담 가 흐드러지게 꽂아 놓은 찔레꽃들 그리운 봄바람 한 떼 넝쿨처럼 엉켰네. 밤이면 작은 별들 동전 같은 달이 뜨고 단잠 든 아기 새 고요만 깊어 갈 때 그윽한 물소리들만 함지 가득 채운다. 할머니 재미있는 꿈을 꾸면 깨어나고 싶지 않던데… 머리가 하얀 우리 할머니 오늘은 굉장한 잠꾸러기가 되었지. 집안 식구들이 모두 할머니 잠 때문에 울면서 아우성이어도 할머니는 재미있는 꿈을 꾸시나 봐. 엄마와 아빠가 할머니 앞에서 울어도 그 소리를 못 들은 체하신다. 할머니, 나처럼 개구쟁이구나. 그만 자고 누운 떠 눈 떠 봐, 할머니! --- 본문 중에서 |
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지식을만드는지식 ‘한국동시문학선집’은 대한민국을 대표하는 111명의 동시인과 시공을 초월해 명작으로 살아남을 그들의 대표작 선집이다. 지식을만드는지식과 한국아동문학연구센터 공동 기획으로 4인의 기획위원이 작가를 선정했다. 작가가 직접 자신의 대표작을 고르고 자기소개를 썼다. 깊은 시선으로 그려진 작가 초상화가 곁들여졌다. 삽화를 없애고 텍스트만 제시, 전 연령층이 즐기는 동심의 문학이라는 동시의 본질을 추구했다. 작고 작가의 선집은 편저자가 작품을 선정하고 작가 소개를 집필했으며, 초판본의 표기를 살렸다.
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