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1. Introduction 2. Avison in Newcastle and London 3. Earliest Works: The Opus 1 Trio Sonatas of 1737 4. The First Concertos, 1740–47 5. Reworkings and the Scarlatti Concertos of 1744 6. Avison’s Vocal Music 7. William Hayes and the Concertos Opus 3 and 4 8. New Directions: The Accompanied Keyboard Sonatas Opus 5, 7, and 8 9. Looking forwards: The Opus 6 Concertos of 1758 and Twenty Six Concertos … in Score 10. Looking Backwards: The Late Concertos, 1765–69 11. The Reception of Avison’s Music During his Lifetime 12. The Afterlife of Avison’s Music and his Reputation as a Musician 13. Concluding Thoughts |