Introduction

Chapter 1: Psychology of Film and Media: Understanding Human Behaviour through Visual Narratives

Chapter 2: The Principle of Maximization and Minimization of Psychological Salience in Film and Media

Chapter 3 The Principle of Part–Whole Representation in Film and Media

Chapter 4 The Principle of Associative Overshadowing: How Automatic Associations Influence Thought and Judgment in Film and Media

Chapter 5 The Principle of Memory Overshadowing: How Stored Knowledge Shapes Present Thinking

Chapter 6 The Principle of The Power of Imagination: How Film and Media Shape Perception, Belief, and Decision-Making

Chapter 7 From Awareness to Automaticity: Langerian Mindfulness, Mindlessness, and the Psychology of Film and Media Influence

Chapter 8 The Psychology of Mediated Thinking: How Film and Media Guide Attention, Shape Thought, and Influence Interpretation

Chapter 9The Experiential Mind: Emotion, Meaning, and the Psychology of Film and Media

Chapter 10 The Hypnotic Mind: Understanding Film and Media Through Attention, Imagination, and Suggestion, The Hypnotic Qualities of Film and Media