역자 서문 / 3
머리말 / 5
도움을 주신 분들 / 7
감사의 말 / 11

장애와 미술사 개요 ··························································································· 23
Ann Millett-Gallant and Elizabeth Howie

1 예술가와 뮤즈
수잔 하바지 페이지(Susan Harbage Page)의 “피터의 세상”과 다른 사진들 ············· 41
Ann Millett-Gallant

2 착취, 폄하, 혐오
장애에 대한 현대 미술의 편향된 해석에 저항하기 ················································· 65
Nina Heindl
서론 ··················································································································65
장애 관련 현대 미술의 논란성(Transgressiveness)과 모호성 ···································66
Ubermensch: 정신적으로 우월하고 신체적으로 장애가 있음 ····································70
Freakstars 3000: 지적장애 배우들의 열광(freaking out) ········································78
결론 ··················································································································85

3 결합은 없다
시각 장애인 모체(Moche) 샤먼의 영적 고양 ························································· 91
Rebecca R. Stone
모체 문명 ··········································································································96
결론 ················································································································107

4 신성한 장애
메소아메리카 미술사에서 진단(diagnosis)에 대한 비평 ········································· 111
William T. Gassaway
서론 ················································································································111
크기 혹은 관점의 문제? ·····················································································113
과학과 인문학: 형제인가 먼 사촌인가? ································································128
결론 ················································································································132

5 마가렛 버크-화이트의 사진에서의 차이와 장애 ················································· 143
Keri Watson

6 제2차 세계대전 이후 사진 속 장애 재현 ·························································· 165
Timothy W. Hiles
시각적 구조를 통한 “타자”의 격리 ·······································································166
시각 언어: “타자”와 열린 형식 통합하기 ······························································173
정상(the norma)의 확장: “타자(the other)”와 “도발자(the provocateur)”를 해체하기 ···181
맥락과 결론 ·······································································································189

7 현대 예술의 거울로 비춰본 제1차 세계대전의 장애인 참전용사
오토 딕스(Otto Dix)의 회화 〈The Cripples〉(1920)가 야엘 바르타나(Yael Bartana)의?
영화 〈Degenerate Art Lives〉(2010)에서 수용된 방식 ········································· 195
Anne Marno

8 장애화된 초현실주의
현대 예술에서 초현실주의적 은유(tropes)를 재구성하다 ········································ 215
Nina Heindl
사마귀, 우아한 시체, 그리고 리사 부파노 ·····························································219
묶는 끈, 손가락, 발가락: 초현실주의 사진과 춘샨 (샌디) 이 ···································226
벨머(Bellmer)와 즈미예프스키(Zmijewski)의 마네킹과 사지 ···································240
결론 ················································································································246

9 댄디 빅토리아인
잉카 쇼니바레(Yinka Shonibare)의 장애와 패싱(passing)의 알레고리 ····················· 251
Elizabeth Howie
일기 ·················································································································260
댄디 ·················································································································266
댄디즘, 인종, 장애 ·····························································································269
장애에 대한 빅토리아 시대의 태도 ·······································································274
인종, 장애, 미술사 ·····························································································276
패싱 ·················································································································277
구성된 정체성 ····································································································282

10 장애 섹슈얼리티를 만들어내기
노미 램의 “불의 벽”의 시각적 언어 ···································································· 291
Shayda Kafai

찾아보기 / 310