Volume 1, Contributors, Abbreviations, Introduction,
1. Plotting the Success of the Quarterly Review,
2. ‘Sardonic grins’ and ‘paranoid politics’: Religion, Economics, and Public Policy in the Quarterly Review,
3. A Plurality of Voices in the Quarterly Review,
4. Politics, Culture, and Scholarship: Classics in the Quarterly Review,
5. Walter Scott and the Quarterly Review – Sharon Ragaz
1076. John Barrow, the Quarterly Review’s Imperial Reviewer,
7. Hung, Drawn and Quarterlyed: Robert Southey, Poetry, Poets and the Quarterly Review,
8. Robert Southey’s Contribution to the Quarterly Review, Appendix A: List of Letters, Appendix B: Transcription of Key Letters, Notes, Works Cited, Index, Volume 2, Acknowledgements, List of Abbreviations, List of Tables, Introduction,
1. Origins,
2. Launching the Quarterly Review,
3. Competition for Editorial Control,
4. The Quarterly Review Ascendant,
5. The Transition to Lockhart, Appendix A: List of Articles and Identification of Contributors, Appendix B: Publication Statistics, Appendix C: John Murray’s 1808 Lists of Prospective Contributors, Notes, Works Cited, Index of Authorship Attributions, General Index, Volume 3, Acknowledgements, List of Figures, Preface, Introduction,
1. First Considerations of an American Tour,
2. Underway to America,
3. An Auspicious Welcome: New York City,
4. The Tour Begins: Upstate New York,
5. Readings and Responses: Philadelphia, Boston and New York,
6. The Second Swing: Baltimore and Washington,
7. A Change of Managers: The Northeast,
8. The ‘Double Difficulty’: Montreal, Toronto and Buffalo,
9. The Final Circuit: Cleveland, Detroit and Chicago,
10. Arguments and Accolades: Return to New England,
11. Winding Down: New York and Wallingford, Conclusion: Wilkie Collins and the American People, Appendix A: ‘The Dream Woman’, Appendix B: Performance Summary, Appendix C: Itinerary, Appendix D: Contacts, Appendix E: Press Portraits, Notes, Works Cited, Index, Volume 4, Abbreviation, List of Figures, Acknowledgements, Introduction,
1. The History of the Theory of Conception and Execution,
2. The Evidence of Copper Plates,
3. Blake’s Engraved Copper Plates,
4. Copper Plate Makers in Blake’s Time,
5. Blake’s Virgil Woodcuts and the Earliest Re-engravers, Conclusion, Notes, Works Cited, Index, Volume 5, Acknowledgements, Notes on the Text, Introduction,
1. Consuming the Periodical Text: Hunt, Hazlitt and the Anxiety of Cockneyism,
2. Domesticating the Flâneur: Coleridge, De Quincey and the Forms of Metropolitanism,
3. The Great Wen and the Rural Gothic,
4. Utility and Pity: Wordsworth, Blake and Egan, and the Act of Charity,
5. Lamb, Theatricality and the Fool, Conclusion, Notes, Works Cited, Index, Volume 6, Acknowledgements, List of Contributors, Introduction, Section I: Artefactual Methodologies,
1. On the Use of Anecdotal Evidence in Reception Study and the History of Reading,
2. Examining the Evidence of Reading: Three Examples from the Reading Experience Database, 1450–1945,
3. Historical Dictionaries and the History of Reading, Section II: Paratextual Methodologies,
4. Reading and the Visual Dimensions of the Book: The Popular Cold War Fictions of Helen MacInnes,
5. The Work of Abridgements: Readers, Editors and Expectations, Section III: Institutional Methodologies,
6. Women Reading Shakespeare in the Outpost: Rural Reading Groups, Literary Culture and Civic Life in America,
7. Turning Libraries into Public Works: Funding Arguments on the Local Level in Wilkes-Barre and Scranton, Pennsylvania,
8. Explicating Explications: Researching Contemporary Reading, Notes, Works Cited, Index, Volume 7, Acknowledgements, List of Abbreviations, List of Tables, Introduction: Pirates and Pens,
1. London Middle-Class Writing: The Institutional Bases,
2. ‘An Inextricable Labyrinth’: The Major Genres of Civic Life,
3. English Middle-Class Writing in the Earlier Fifteenth Century: The Vernacular Letters,
4. Women’s Letters and Men’s Books, Conclusions and Speculations, Notes, Works Cited, Index, Volume 8, Acknowledgements, List of Contributors, List of Figures, Introduction,
1. The Memory and Impact of Oral Performance: Shaping the Understanding of Late Medieval Readers,
2. Print, Miscellaneity and the Reader in Robert Herrick’s Hesperides,
3. Searching for Spectators: From Istoria to History Painting,
4. Returning to the Text of Frankenstein,
5. ‘Casualty’, Mrs Shelley and Seditious Libel: Cleansing Britain’s Most Corrupt Poet of Error,
6. Writing Textual Materiality: Charles Clark, his Books and his Bookplate Poem,
7. Charles Dickens’s Readers and the Material Circulation of the Text,
8. Victorian Pantomime Libretti and the Reading Audience,
9. Material Modernism and Yeats,
10. Changing Audiences: The Case of the Penguin Ulysses,
11. The Sound of Literature: Secondary School Teaching on Reading Aloud and Silent Reading, 1880–1940,
12. Intermediality: Experiencing the Virtual Text, Notes, Works Cited, Index, Volume 9, Acknowledgements, List of Figures, Introduction: Reading from the Margins,
1. Contesting the Jupien Effect: Annotation in the Eighteenth Century,
2. The Author in the Margins: Annotation as Site of Conflict,
3. Margins and Marginality: Maria Edgeworth’s Castle Rackrent (1800) and Sydney Owenson’s The Wild Irish Girl (1806),
4. The Imperial Collection: Robert Southey’s Thalaba the Destroyer: A Metrical Romance (1801),
5. The Margins of the Nation: Robert Burns’s Poems, Chiefly in the Scottish Dialect (1786) and Walter Scott’s Waverley (1814),
6. Byron’s Errantry: Lord Byron and John Cam Hobhouse’s Annotation for Cantos I, II and IV of Childe Harold’s Pilgrimage (1811–16), Conclusion: Romantic Marginality and Beyond, Notes, Works Cited, Index, Volume 10, Acknowledgements, Introduction,
1. Reframing Lyrical Ballads (1800/1798),
2. Textual Travelling in the 1800 Lyrical Ballads,
3. Short-Circuiting Wordsworth’s 1807 Poems: Richard Mant’s The Simpliciad,
4. Wordsworth’s ‘Library of Babel’: Th e Excursion and the 1815 Poems,
5. Opening up Chapter 13 of Coleridge’s Biographia Literaria,
6. J. H. Reynolds’s ‘Peter Bell’ and the Wordsworthian Reputation,
7. The River Duddon Volume and Wordsworth’s Canonical Ascent, Notes, Works Cited, Index