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introduction chapter i yoga in the theatre practice of stanislavsky Stanislavsky’s Acquaintance with Yoga Yoga in the First Studio of the Moscow Art Theatre Yoga in Stanislavsky’s Classes with Actors of the Moscow Art Theatre and the Second Studio in the late 1910s and the 1920s Yoga in the Opera Studio Yoga and the Late Period of Stanislavsky’s Work (1930s) chapter ii yoga in the literary heritage of stanislavsky Yoga of the Twentieth Century and its Ancient Roots A Comparative Reading of Stanislavsky and Ramacharaka chapter iii yoga elements of the stanislavsky system Relaxation of Muscles (Muscular Release) Communication and Prana Attention Visualizations (Mental Images) Superconscious ‘I am’ Conclusion |