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Contents: Introduction: the anamorphic image; Early modern anamorphosis: ' practical perspective', Lucy Hutchinson's epicurean bodies, and Thomas Hobbes' 'vanishing point'; John Milton and the (new) media image: affect and the anamorphic imaginary; Margaret Cavendish's double perception: affective technics and biopolitical fictions; The observer in Milton's garden and the body of anamorphosis; Projecting the modern: new perspective, the spaces of nationalism, and anamorphic territory; Affect and perceptual technics in Daniel Defoe's A Journal of the Plague Year; Bibliography; Index.
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