Disc 1-2: Volume 1 M2X 33014 "Musical Phonology”

CD 1
1 First of All 2:01
2 Perhaps the Principal Thing 1:39
3 Let Me Start 0:53
4 This Is Not Just a Sentimental Anecdote 1:52
5 From This Time 2:29
6 But How Do We Investigate 2:52
7 Now You Can See 1:29
8 Universality Is a Big Word 2:31
9 Other Linguists 2:46
10 I Began By Imagining Myself 2:12
11 Well, Then I Thought 2:06
12 Let's Make a Simple Analogy 2:03
13 Maybe Even a Divine One 1:33
14 But Where Do These Notes Come From? 2:22
15 This Acoustical Phenomenon 2:08
16 All These Upper Notes 1:52
17 The First Overtone 2:33
18 But More of That Later 1:56
19 But Let's Not Make the Mistake 2:21
20 And That's How the Tempered Clavichord 2:12
21 Now This Is a Substantive Universal 2:01

CD 2
1 But Let's Be Careful 1:43
2 And There Is Always That Blue Note 1:30
3 But Even These Twelve Tones 1:57
4 I Trust You Realize 2:16
5 And Again Comes a Great Leap 2:32
6 Now This Means 1:38
7 This Is Not to Say That There Were No Drastic Changes 2:28
8 But Meanwhile We Are Still in the Golden Age 2:55
9 So, We're in the Midst of a Chromatic Adventure 1:28
10 And All By Those Progressions 1:34
11 Now, I Must Point Out 1:57
12 Do You Realize 1:34
13 I. Allegro Molto 8:18
14 II. Andante 8:31
15 III. Menuetto, Allegretto 4:36
16 IV. Finale. Allegro Assai 6:08

Disc 3-4: Volume 2 M2X 33017 "Musical Syntax"

CD 3
1 Every Once in a While 1:44
2 Last Week 2:24
3 Amen, Says Noam Chomsky 2:09
4 I Suppose What Chomsky Is Really After 2:49
5 So, Let's Pull Up Our Socks 1:36
6 All Right, Let's Try Another One 2:08
7 Why I Taking Your Time 2:11
8 Well Then 1:48
9 I Think It Follows 1:52
10 But First, What Are These Principles 1:49
11 Tranformational Grammar 1:36
12 But Now Just Think of That Sentence 1:02
13 Since This Is Not a Linguistics Class 1:49
14 Take the Passive Transformation 1:51
15 Well, It Hasn't Brought Us There 1:51
16 Good - Now Just As Three Notes Are Linked Together 1:44
17 Now Let's Go Back 1:49
18 Now We Are Ready 2:27
19 Now I Wanna Take You 2:05
20 Well, Transformation, Deletion, Embedding, Pronominalization 1:49
21 I Sure I Don't Have to Trouble 2:16
22 Here I Go 1:30
23 I Have Asked Myself 1:55
24 I Became So Fascinated 1:42

CD 4
1 Let's Take One Such Utterance 2:00
2 Now Imagine 1:29
3 Now Let's See 2:32
4 Mozart's G Minor Symphony 1:21
5 Now Our Job Is 2:27
6 That Introductory Accompaniment 1:26
7 What Does This Three-Note Design Mean 1:55
8 The Reason I Pick Symmetry 2:13
9 Now from Here on 2:04
10 And Once Again, We Are Back 1:10
11 By Far the Chief Transformational Principle 1:42
12 You See, One of the Great Failings 1:58
13 Most People Hearing Mozart's Opening 1:46
14 So What Your Ask 1:59
15 And If You Are Still Not Convinced 2:32
16 Thesebiguities 1:20
17 For Instance, in This Same First Movement 1:59
18 So All These Syntactic Transformations of the Same Material 1:14
19 He Talks About This Sonnet 1:55
20 Because Now It's Time 1:35
21 But Now Let's Listen to 2:09
22 Listen to the Whole Exposition 2:03
23 Development Coming Up 2:08
24 The Circle of Fifths Again 2:02
25 And That Was All One Single Sentence 1:18

Disc 5-6: Volume 3 M3X 33020 "Musical Semantics"

CD 5
1 The Other Day 2:37
2 The First Would Show Us One Meaning 1:13
3 Think of This Famous Passage 2:23
4 A Linguist Would Say 1:52
5 Well, I Replied, Chomsky Would Say 2:06
6 Of Course, That Last Metaphorical Leap 1:50
7 Terrific, Said My Blonde Inquisitor 1:44
8 In Fact, When You Think of the Number 2:16
9 All Right, First Let's Look Briefly 2:41
10 Playing, That's the Word 1:48
11 But Does This Stravinskian Game Concept 2:31
12 There Are Three Specific Ways 2:03
13 Now, Having Defined My Usages of Metaphor 1:59
14 And Here We Are in Trouble 1:06
15 Are We Feeling What Beethoven Supposedly Felt 1:45
16 We Will Never Know 2:22
17 Now, If We Accept This General Idea 1:40
18 In Our Last Lecture 1:47
19 We All Recognize Antithesis 1:46
20 It Can and It Does 1:24
21 And Again, As in the Poem 2:14
22 In Fact, It Has Been Authoritatively Suggested 2:45
23 We Can Expand the Idea 2:52
24 What Do You Suppose 2:51
25 What' Seriously Striking 2:16
26 So Why the Pastorale on This Lecture 2:42
27 Let's Begin at the Beginning 1:41
28 But What of the More Obvious Melodic Material 1:48
29 But to Develop How 2:37
30 Now We Have An Insight 2:13
31 But Wait 1:52
32 But Why Were Just Those Two Notes Added 2:05

CD 6
1 The Metaphor Arises 2:48
2 But in the Ensuing Four Bars 2:11
3 But That's Not the Main Event 2:04
4 Well, That's the Beginning 1:58
5 That's One of the Questions 2:00
6 This Interference of the Two Frequencies 2:04
7 But What Are We to Say 1:40
8 It Is to Be Found 1:39
9 Now That's One Way of Looking 2:03
10 At This Point 1:36
11 Even If You Can Succeed 2:42
12 I. Erwachen Heiterer Empfindungen Bei Der Ankunft Auf Dem Lande. Allegro Ma Non Troppo 11:05
13 II. Scene Bach. Andante Molto Moto 13:42
14 III. Lustiges Zusammensein Der Landleute. Allegro 5:27
15 IV. Gewitter. Sturm. Allegro 3:43
16 V. Hirtengesang. Frohe Und Dankbare Gefuhle Nach Dem Sturm. Allegretto 10:13

Disc 7-8: Volume 4 M3X 33024 "The Delights and Dangers of Ambiguity”

CD 7
1 When I First Wrote Down the Title 1:41
2 Part of the Danger 2:02
3 The Idea Ofbiguity 1:32
4 Similarly, in Our Second Lecture 2:05
5 Then What's the Magic Secret 2:53
6 Enough Ofbiguity 1:52
7 The Irony of All This 2:07
8 But, Mind You 1:53
9 Where Music Was Concerned 1:29
10 Only Think of 1:58
11 And Chopin Well We Can't Ignore Chopin 2:53
12 And Then, in the Same Little Mazurka 1:57
13 Foolish Questions 1:33
14 Let Me Try to Read You 1:56
15 Listen to This 1:45
16 They Began to Intermingle 1:30
17 The Pivotal Point 1:39
18 So There Is a Dramatic Change 1:50
19 So It Is After All Not So Surprising 2:31
20 Now If You Noticed 1:40
21 You See, the Music Is Trying Hard 1:44
22 So That Instant in Musical Time 1:33
23 Now Romeo Is All Stirred Up 3:00
24 . Romeo Seul Tristesse - Bruits de Concerts Et de Bal - Grand Fete Chez Capulet Andante Malinconico E Sostenuto 4:28
25 Allegro - Larghetto Espressivo - (Instrumental) 1:57
26 Allegro - (Instrumental) 2:22
27 Reunion Des Duex Themes, Du Larghetto Et de L'allegro (Instrumental) 3:42
28 What a Piece 2:30
29 Quite Unconsciously Borrowed 1:50
30 My Purpose in All This 2:25
31 Is It, Says Wagner 2:16

CD 8
1 Every Diminished Seventh Chord 1:23
2 Now the Remarkable Thing Is 2:54
3 And This Is What Gives Tristan 2:53
4 Prelude and Love-Death (From 'Tristan and Isolde') 19:03
5 :00:00 PM
6 That May Be the Slowest Performance 2:26
7 But Ultimately 1:38
8 Poetry Has Begun to Show 1:40
9 And When Debussy 1:37
10 It's Lovely, This Dreaming 2:35
11 For Example, Do You Remember 1:45
12 In Fact, the Ending of This Piece 1:17
13 Let Me Show You Briefly 2:07
14 This New Episode That Proceeds 1:24
15 For Instance, Hardly Have We Had Time 2:29
16 Because the Scale 1:53
17 It's Almost Exactly What Happens 1:51
18 Literally Translated 1:35
19 But Notice, Too, That the Example 1:34
20 Both Works Have Definitive Beginnings 1:32
21 Listen As I Play 1:49
22 Prelude a L'apres-Midi D'un Faune, L. - Remastered 10:24
23 Some Crazy Modern Music 1:04

Disc 9-10: Volume 5 M3X 33028 "The Twentieth Century Crisis”

CD 9
1 Our Lecture Tonight 0:18
2 Rhapsodie Espagnole, M. IV. Feria 6:29
3 What a Way to Enter the Twentieth Century 1:38
4 But, If the Truth to Be Told 1:28
5 These Troubling Presentiments 2:18
6 So, Now in 2:12
7 This Is Atonality 2:30
8 A Charming Idea 0:28
9 The Unanswered Question 5:23
10 I That Luminous Final Triad 2:16
11 I Have Recently Been Reading 1:59
12 We Have Already Referred to Some of Those 3:02
13 In Any Case 1:57
14 But for All These Reasons 2:46
15 Son of Tristan 2:31
16 Now You Look at Those First Two Bars 2:20
17 Of Course, There Are Lots 1:57
18 It's As Though a New Covenant 1:40
19 Trouble Is, That the New Musical Rules 2:22
20 The Kind of Tonal Feeling 2:53
21 Of Course, There Are Those Who Say 1:39
22 It Seems Somehow Inevitable 2:17
23 Is There Possibly the Beginning 2:47
24 And What About Beethoven's Nineth 2:44
25 These Are Some of the Problems 2:41

CD 10
1 Now Let's Jump Ahead 2:22
2 Let's Put It Another Way 2:10
3 First of All, Berg Chose a Tone Row 1:54
4 So, All in All 0:52
5 Berg Violin Concerto (Excerpt) 2:23
6 Fantastic 2:50
7 It Comes at a Point 2:47
8 Berg Violin Concerto II. Allegro, Ma Sempre Rubato - 2:54
9 If This Particularly Demanding Lecture 1:21
10 If You Really Have Been Thinking 2:13
11 But While Restudying This Work 2:21
12 The Twentieth Century 1:39
13 What Do You Do If You Know All This 2:35
14 It's Very Strange, How the Pieces 2:11
15 What Exactly Was This News 1:59
16 We Emerge from a Cinema 1:55
17 As You Listen to This Finale 2:35
18 This Is Mahler 2:41
19 IV. Adagio. Sehr Langsam Und Noch Zuruckhaltend 22:59

Disc 11-13: Volume 6 M4X 33032 "The Poetry of Earth"

CD 11
1 I Know What Your Are Thinking 1:53
2 What About This 1:27
3 I Plaguing You with This Question 1:45
4 Of Course What He Is Really Talking About 2:06
5 But It Was Precisely 1:58
6 Now I Have Just Used Two Words 1:55
7 In Fact, It Was Satie, Picasso, and Cocteau 2:20
8 But Our Scene 1:53
9 Even in the Most 2:03
10 For Our Purposes 2:11
11 Musicologists Are Always Pointing 1:56
12 But Bitonality Does Not Only Serve 2:21
13 Of Course, Polytonality Can and Does 2:10
14 Now What's Going on 2:20
15 And While You Are in That Record Shop 2:16
16 Of Course, These Asymmetries 1:53
17 Brutal It May Be 1:31
18 Now, Remember 1:59
19 These Are Two Sets 1:59
20 Just Cast An Eye 2:44
21 Now That Page of Music 2:59
22 But the Most Striking Semantic Effect 1:40
23 This New Aesthetic Relaxation 2:11
24 Even Some Germans 2:06
25 You Can See How the Transformation 1:55
26 Chomsky Himself Gives a Classic Example 2:09
27 Very Important, the Ironic Element 2:39
28 So, It Would Seem 2:17
29 But This Neoclassic Approach 1:11
30 I Think This Is Again a Moment 2:06
31 It's the Essence 2:34
32 If This Poem Were Rewritten 1:22

CD 12
1 Why Have I Digressed 1:46
2 Now Can You Understand 1:37
3 Untermeyer Called This 1:42
4 Of Course, with the Waste Land 1:17
5 But the Thing of It All Is 1:31
6 We Are Going to Hear 1:35
7 One Has Only Learnt to Get 2:45
8 Now I Propose Only Because 2:23
9 This Union Is Possible Only Because 2:58
10 But What Has All This to Do with Stravinsky 2:21
11 And This Is the Essence 2:13
12 Look Here Is a Joke 2:02
13 Chilling, Shattering, Neoclassic 1:46
14 Stravinsky's Own Aesthetic Pronouncements 2:03
15 But of Course He Was Forced 1:31
16 And Now We Are Finally Ready 2:36
17 And Then Mozart Appears 2:35
18 But This Eclecticism Knows No Bounds 1:46
19 Now All This I Had Planned to Tell You 1:33
20 You Think That's Funny 2:43
21 How About That 2:56
22 Then Came the Answer 2:41
23 But Why This Particular Misalliance 1:23
24 My Words Are Poor 1:58

CD 13
1 Prologue 'Your Are About to Hear a Latin Version of Oedipus the King 0:59
2 Act I 'Caedit Nos Pestis' 4:06
3 Act I 'Liberi Vos Liberabo' 3:29
4 Act I 'This Is Creon, Brother-In-Law of Oedipus 0:26
5 Act I 'Respondit Deus' 6:38
6 Act I' Oedipus Questions the Fountain of Truth 2:44
7 Act I 'Dicere Non Possum' 5:23
8 Act I 'Gloria!' 1:11
9 Act II the Dispute of the Princess Attracts the Attention of Jocasta 2:10
10 Act II 'Nonn'erubescite, Reges' 4:25
11 Act II 'Ne Probentur Oracula' 3:21
12 Act II 'Ego Senem Cecici' 2:07
13 Act II the Witness to the Murder Comes Out of the Shadow 0:45
14 Act II 'Adest Omniscius Pastor' 4:32
15 Act II 'Nonne Monstru Rescituri' 3:24
16 Act II and Now You Are Going to Hear That Famous Monolog 1:38
17 Act II 'Divum Locastae Caput Mortuum!' 3:09
18 Act II 'Ecce! Regem Oedipoda' 2:47
19 Va-Le-Di-Co 2:06
20 During That Decade 1:46
21 It Was at This Point That I Wrote 1:43
22 What Interests Me About It 2:15
23 Is It Possible 1:51
24 It's As Tough in the Period 2:52
25 And I Believe 2:40