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Introduction: Old School, New Adrenaline vii
Part 1 Essential Principles of Plot 1. Drop the hammer. (Hamlet) 2 2. Ask dramatic questions. (Finding Nemo) 17 3. Explore all endings. (The Night Of) 32 4. Connect with "therefore," not "and." (South Park, "Breast Cancer Show Ever") 48 5. Escalate risk. (Pulp Fiction) 58 6. Clash expectation with reality. (Breaking Bad, "Dead Freight") 71 7. Max out the middle. (If Beale Street Could Talk) 84 8. Begin the end with a critical decision. (Frankenstein) 96 9. Confirm the decision. (The Godfather, Part II) 108 10. Wrap up fast. (Late Spring) 122 Part 2 Essential Principles of Character 11. Make your hero active and decisive. (Red Dead Redemption) 132 12. Provoke dilemma. ("The Best of Times, the Worst of Times") 142 13. Layer conflict. (Ms. Marvel: No Normal) 151 14. Peel the onion. ("Interpreter of Maladies") 166 15. Write characters to the top of their intelligence. ("Stan") 180 16. Mask everyone. (Harry Potter and the Prisoner of Azkaban) 195 17. Earn transformations. (Fun Home) 210 18. Motivate fierce antagonists. (The Piano Lesson) 225 19. Confront evil. ("The Lottery") 238 Part 3 Essential Principles of Setting, Dialogue, and Theme 20. Link inextricably to your setting. (The Brief Wondrous Life of Oscar Wao) 250 21. Exceed expectations. (30 Rock, "Jack-tor") 266 22. Craft actionable dialogue. (Death of a Salesman) 282 23. Hide meaning. (The Remains of the Day) 296 24. Hunt big game. (Beloved) 308 25. Amplify your theme. (Double Indemnity) 321 26. Attack your theme. (The Brothers Karamazov) 333 27. Transcend thought. (Fever Dream) 348 Conclusion: The Necessity of Story 363 Acknowledgments 366 Index 367 |
Daniel Joshua Rubin
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