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List of figures Acknowledgements Chapter 1: Contextualising 4.48 Psychosis: 'Everybody loves a dead girl' ? Sarah Kane as innovator and icon Chapter 2: Reading 4.48 Psychosis: The flaw in love (and psychiatry) Chapter 3: Theorising 4.48 Psychosis: 4.48 Psychosis as postdramatic theatre Chapter 4: Teaching 4.48 Psychosis: Performance and pedagogy Chapter 5: Performing 4.48 Psychosis: From Minsk to Melbourne Chapter 6: Conclusion |