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| 발행일 | 2024년 02월 10일 |
|---|---|
| 쪽수, 무게, 크기 | 330쪽 | 130*190*30mm |
| ISBN13 | 9791198546524 |
| ISBN10 | 1198546522 |
해태 (영문판)
조 메노스키 저 / 박산호 역
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핏북
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2024년 02월 10일
저자/출판사 더보기/감추기
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저자 소개 (2명)
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- The pair of stone statues of hae’tae?mythological, fire-eating creatures on display in front of the main gates to Gyeongbokgung Palace?appeared to be on guard for the night shift.
The monstrous beasts were depicted with a muscular, thick body covered in scales, like a cross between a lion and a rhino, its signature and identifying element the subtle, Cheshire Cat-like smile always on its face, which made it simultaneously intimidating and endearing.
- Of the prehistoric landscape of ancient Korea, with rolling green hills, streams of water, and megalithic dolmens stacked like tables: two or three tall pillars of stone atop of which lay a huge horizontal boulder. The tiny “fire-bird” sparks from the pojangmacha’s burner moved through this atmosphere?but now they were flame-like butterflies, lovely and delicate.
Suddenly, shockingly, the gaping, muzzle-shaped mouth of a large creature leapt into view, snapping down on a bunch of butterflies?dispersing them.
Windy barely got a look at the fantastical animal’s face: like a combination of lion and rhino, smiling as always. It was a hae’tae.
- Windy dreamt of an old-fashioned ballroom and a masquerade ball, the kind that appear in European fairy tales, with everybody in big dresses and elegant suits and wearing Venetian-style masks. But rather than the traditional Italian Pantalone and Arlecchino, the elegant European guests wore the faces of the Hahoetal stock characters of rustic Korean folk performances. The juxtaposition was jarring. But Windy, as dreamers often do, didn’t seem to notice anything unusual. Until an elegant hand reached out to offer her the next dance, and her gaze went up the ringed fingers, the tight black sleeve, the high collar to her would-be partner’s face: the smile belonged to a hae’tae.
- The Titan saw Poet, as well. And for a moment, the sudden appearance of a visitor after millennia of solitary confinement made him smile. “What is it you want of me? Human being... You are, human, correct?”
“Yes,” answered Poet, both still in a trance and simultaneously entranced by this sudden encounter with a clearly superior being. “I am human.”
“They always wanted something,” said Prometheus, almost to himself.
Poet’s delicate awareness of this razor’s edge state of conscious started slipping in and out of the fugue state, and he was aware both of Prometheus in the Greek mythological world and Firestarter in the burning underground metro station.
- I hoped the flame could be seen from across the street, from across Seoul, from as far away as the stars and the next universe. A lamp that said what every lamp, placed in every window, has always said: come home.”
The monstrous beasts were depicted with a muscular, thick body covered in scales, like a cross between a lion and a rhino, its signature and identifying element the subtle, Cheshire Cat-like smile always on its face, which made it simultaneously intimidating and endearing.
- Of the prehistoric landscape of ancient Korea, with rolling green hills, streams of water, and megalithic dolmens stacked like tables: two or three tall pillars of stone atop of which lay a huge horizontal boulder. The tiny “fire-bird” sparks from the pojangmacha’s burner moved through this atmosphere?but now they were flame-like butterflies, lovely and delicate.
Suddenly, shockingly, the gaping, muzzle-shaped mouth of a large creature leapt into view, snapping down on a bunch of butterflies?dispersing them.
Windy barely got a look at the fantastical animal’s face: like a combination of lion and rhino, smiling as always. It was a hae’tae.
- Windy dreamt of an old-fashioned ballroom and a masquerade ball, the kind that appear in European fairy tales, with everybody in big dresses and elegant suits and wearing Venetian-style masks. But rather than the traditional Italian Pantalone and Arlecchino, the elegant European guests wore the faces of the Hahoetal stock characters of rustic Korean folk performances. The juxtaposition was jarring. But Windy, as dreamers often do, didn’t seem to notice anything unusual. Until an elegant hand reached out to offer her the next dance, and her gaze went up the ringed fingers, the tight black sleeve, the high collar to her would-be partner’s face: the smile belonged to a hae’tae.
- The Titan saw Poet, as well. And for a moment, the sudden appearance of a visitor after millennia of solitary confinement made him smile. “What is it you want of me? Human being... You are, human, correct?”
“Yes,” answered Poet, both still in a trance and simultaneously entranced by this sudden encounter with a clearly superior being. “I am human.”
“They always wanted something,” said Prometheus, almost to himself.
Poet’s delicate awareness of this razor’s edge state of conscious started slipping in and out of the fugue state, and he was aware both of Prometheus in the Greek mythological world and Firestarter in the burning underground metro station.
- I hoped the flame could be seen from across the street, from across Seoul, from as far away as the stars and the next universe. A lamp that said what every lamp, placed in every window, has always said: come home.”
--- 본문 중에서
출판사 리뷰 출판사 리뷰 보이기/감추기
추천평 추천평 보이기/감추기
스타트랙 작가가 우리의 전설을 토대로 새로운 이야기를 만들어냈다. 그가 창조해낸 세계가 너무 매혹적이라서 우리는 빨려 들어가기만 하면 될 거 같다. 아울러, 영상으로 어떻게 구현될지도 기대한다.
The Star Trek writer has created new stories based on our mythology. The world he has crafted is so enchanting that it feels like we could just step into the pages of the story. Additionally, we are excited to see how it will be brought to life on screen.
The Star Trek writer has created new stories based on our mythology. The world he has crafted is so enchanting that it feels like we could just step into the pages of the story. Additionally, we are excited to see how it will be brought to life on screen.
- 정명섭 (Myung Seob CHUNG, 작가)
작가는 우리에게 익숙한 한국 신화를 새롭게 덧칠해 화려한 이미지의 블록버스터로 재조립한다. 신화 속 존재이자 마스코트로도 익숙한 해태가 현실에서 되살아나는 흥미진진한 과정을 독자들도 지켜보셨으면 한다.
The writer reimagines familiar Korean mythology, adding new layers to create a spectacular blockbuster with dazzling imagery. Readers will be fascinated to witness the exciting process of Hae-tae, a familiar figure from mythology and also a mascot, coming to life in reality.
The writer reimagines familiar Korean mythology, adding new layers to create a spectacular blockbuster with dazzling imagery. Readers will be fascinated to witness the exciting process of Hae-tae, a familiar figure from mythology and also a mascot, coming to life in reality.
- 김이환 (Ewhan KIM, 작가)
공상과학 시나리오의 거장이 자신의 독특한 재능을 신화적 판타지로 승화시키는 것을 보는 것은 매우 즐거운 일이다. 작가는 글쓰기의 틀을 깨고 소설과 시나리오 방식을 혼합해 눈부신 스토리텔링 형식을 만들어 냈다. 한국 역사 속 신화의 중요한 아이콘을 매력적이고 재치 있게 재해석하고 극적으로 재창조하여 특별한 이야기로 구성했다. 처음부터 끝까지 독자를 사로잡는 이 이야기는 미래를 바라보며 과거를 기념할 수 있는 시의적절한 작품이라 할 수 있겠다.
“It’s a delight to see a master science-fiction screenwriter turn his unique talents to mythological fantasy. This is a dazzling storytelling form that discards conventions, blending novel and screenplay to create an engaging, wild and witty fable that grips the reader from start to finish. A spectacular reimagining of a vital icon of Korean history, and a timely reminder to celebrate the past as we look to the future.”
“It’s a delight to see a master science-fiction screenwriter turn his unique talents to mythological fantasy. This is a dazzling storytelling form that discards conventions, blending novel and screenplay to create an engaging, wild and witty fable that grips the reader from start to finish. A spectacular reimagining of a vital icon of Korean history, and a timely reminder to celebrate the past as we look to the future.”
- 다니엘 마틴 (카이스트 디지털인문사회과학부 영화학 부교수)
작가는 전작 〈킹 세종 더 그레이트〉에서 보인, ‘K-월드’ 픽션의 진수를 여기서도 유감없이 발휘한다. 해태라는 신화 소재를 기반으로, 한국의 무속과 정신분석학적 의식 가동의 기술을 교합한 워프 서사는 경탄을 자아낸다. 무속적 상징과 범위를 이용해서 일어나는 서울 도심의 불가사의한 화재, 그것을 막고자 하는 윈디와 해태팀의 이야기는 놀란의 영화 〈인셉션〉에 버금가는 조직감을 선사한다.
The writer demonstrates the essence of 'K-World' fiction, as showcased in the previous work "King Sejong the Great," with no less brilliance in this piece. The warp narrative in the work, which combines Korean shamanism and psychoanalytic techniques based on the mythological figure of Hae-tae, is remarkable. The story of Windy and the Hae-tae team's efforts to stop the mysterious being causing fires using shamanistic symbols is as captivating as Christopher Nolan's film "Inception," if not more so.
The writer demonstrates the essence of 'K-World' fiction, as showcased in the previous work "King Sejong the Great," with no less brilliance in this piece. The warp narrative in the work, which combines Korean shamanism and psychoanalytic techniques based on the mythological figure of Hae-tae, is remarkable. The story of Windy and the Hae-tae team's efforts to stop the mysterious being causing fires using shamanistic symbols is as captivating as Christopher Nolan's film "Inception," if not more so.
- 차무진 (Mujin CHA, 작가)
영화를 보는 생생한 이미지와 속도감, 고대 그리스 신화와 한국의 설화를 연금술로 빚어낸 판타지, 한국판 마블 시리즈의 탄생을 기대하게 만드는 불씨. 그리고 어두운 시대에 스타트렉 작가가 피워올린 희망의 불빛.
The novel "Hae-tae" is filled with vivid imagery and dynamism, akin to watching a movie. The author blends ancient Greek mythology and Korean folklore with alchemy to create a fantasy world. It's worth looking forward to the birth of a Korean version of the Marvel series. This is a glimmer of hope raised by the Star Trek writer in dark times.
The novel "Hae-tae" is filled with vivid imagery and dynamism, akin to watching a movie. The author blends ancient Greek mythology and Korean folklore with alchemy to create a fantasy world. It's worth looking forward to the birth of a Korean version of the Marvel series. This is a glimmer of hope raised by the Star Trek writer in dark times.
- 이명세 (영화감독)
몇 년 전 ‘마블 코믹스’인 〈타이거 디비전〉이 세상에 알려지면서, 나는 드디어 한국 히어로가 등장했다고 열을 올렸었다. 그런 내게 소설 〈해태〉는 또 다른 의미로 다가왔다. 한국문화캐릭터, 엄밀히 말하자면 동아시아 문화캐릭터가 등장하는 이야기가 한국을 배경으로 펼쳐진다는 것은 어쩌면 익숙하게 느껴질 수도 있다. 하지만 〈해태〉는 새롭게 느껴졌다. 게다가 서양 신화와 동양 신화의 충돌이라니 시작부터 흥미진진하다. ‘해태’는 항상 우리 곁에 있어 늘 보게 될 수밖에 없다, 그런데 보지 못한 것 같다. 정작 우리는 왜 이런 문화적 가치와 재미를 느끼지 못하고 늘 지나쳤을까. 역시나 가까이에 있으면 소중한 줄 모르는 법인가 보다. 작품을 읽어 내려가다 보면 판타지인 줄 알면서도 설득을 당하게 된다. 작가는 연민을 자아내는 주인공의 상황이 복잡하게 꼬여만 있도록 결코 내버려 두지 않는다. 그 솜씨와 방식을 보면 작가의 필력에 감탄하게 되고, 작품의 방대한 세계관을 짐작할 수 있다. 이제는 또 다른 느낌의 동아시아 캐릭터와 콘텐츠로 세계 엔터테인먼트 무대에서 〈해태〉의 화력과 흡입력을 시험해 볼 때다.
A few years ago, when the Marvel comic "Tiger Division" was introduced to the world, I was thrilled that a Korean hero had finally emerged. To me, the novel "Hae-tae" carried a different significance. While a story featuring Korean cultural characters, or more precisely East Asian cultural characters, set in Korea might feel somewhat familiar, "Hae-tae" felt refreshingly new. Moreover, the clash between Western and Eastern mythology from the outset was thrilling. "Hae-tae" is always around us, something we're bound to encounter, yet it feels like we haven't really seen it. Why haven't we appreciated its cultural value and entertainment until now? It's as if we've overlooked something precious right under our noses. As you continue reading the work, despite knowing it's fantasy, it begins to feel like the real world. The writer skillfully weaves a complex web around the protagonist, never letting the sympathy-inducing situations become stagnant. Witnessing the writer's prowess and approach, one can sense the vastness of the world within the story. Now is the time to put "Hae-tae" to the test on the global entertainment stage as another sensation of East Asian characters and content, to see its firepower and allure.
A few years ago, when the Marvel comic "Tiger Division" was introduced to the world, I was thrilled that a Korean hero had finally emerged. To me, the novel "Hae-tae" carried a different significance. While a story featuring Korean cultural characters, or more precisely East Asian cultural characters, set in Korea might feel somewhat familiar, "Hae-tae" felt refreshingly new. Moreover, the clash between Western and Eastern mythology from the outset was thrilling. "Hae-tae" is always around us, something we're bound to encounter, yet it feels like we haven't really seen it. Why haven't we appreciated its cultural value and entertainment until now? It's as if we've overlooked something precious right under our noses. As you continue reading the work, despite knowing it's fantasy, it begins to feel like the real world. The writer skillfully weaves a complex web around the protagonist, never letting the sympathy-inducing situations become stagnant. Witnessing the writer's prowess and approach, one can sense the vastness of the world within the story. Now is the time to put "Hae-tae" to the test on the global entertainment stage as another sensation of East Asian characters and content, to see its firepower and allure.
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