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· 초대의 시
목장 / The Pasture__5 봄의 물웅덩이들 / Spring Pools ·················································· 11 달의 자유 / The Freedom of the Moon ········································ 14 장미가족 / The Rose Family ······················································· 17 정원의 반딧불들 / Fireflies in the Garden ··································· 19 기류氣流 / Atmosphere ································································· 21 헌신 / Devotion ··········································································· 23 주목 받지 못하고 / On Going Unnoticed ····································· 25 고치 / The Cocoon ······································································ 28 순간 비전 / A Passing Glimpse ···················································· 31 금가루 / A Peck of Gold ····························································· 34 순응 / Acceptance ········································································ 37 어느 날 태평양 가에서 / Once by the Pacific ······························· 40 납작 엎드렸다 / Lodged ······························································ 43 단조短調의 새 / A Minor Bird ······················································· 45 사별死別 / Bereft ·········································································· 48 창가의 나무 / Tree at My Window ·············································· 51 평화의 목자牧者 / The Peaceful Shepherd ····································· 54 초가지붕 / The Thatch ································································ 57 겨울 에덴 / A Winter Eden ························································· 62 홍수 / The Flood ········································································· 66 밤을 안다 / Acquainted with the Night ········································ 69 미녀美女가 선택하는 이들이 될 것이다 / The Lovely Shall Be Choosers ·············································································· 72 서쪽으로 흐르는 시냇물 / West-Running Brook ·························· 81 모래언덕 / Sand Dunes ······························································· 92 큰개자리 / Canis Major ······························································· 95 군인 / A Soldier ··········································································· 98 이민자들 / Immigrants ······························································· 101 한니발 / Hannibal ····································································· 103 꽃 핀 보트 / The Flower Boat ····················································· 105 구구법九九法 / The Times Table ················································· 108 투자 / The Investment ································································ 111 마지막 풀베기 / The Last Mowing ············································ 114 출생지 / The Birthplace ····························································· 117 어둠 속의 문 / The Door in the Dark ·········································· 120 눈 속의 먼지 / Dust in the Eyes ················································· 122 눈부신 햇살에 떨기나무 옆에 앉아서 / Sitting by a Bush in Broad Sunlight ······································································ 124 한 아름 / The Armful ································································· 128 쉰 살의 말 / What Fifty Said ······················································ 131 기수騎手들 / Riders ··································································· 133 별자리들을 우연히 쳐다보고 / On Looking Up by Chance at the Constellations ······························································· 136 곰 / The Bear ············································································ 139 거북이 알과 기관차 / The Egg and the Machine ························· 144 |
저자 소개2
저로버트 리 프로스트
관심작가 알림신청Robert Lee Frost
미국의 시인이다. 뉴햄프셔의 농장에서 오랫동안 생활한 그는, 그 지방의 아름다운 자연을 맑고 쉬운 언어로 표현하였다. 그는 자연 속에서 인생의 깊고 상징적인 의미를 찾으려고 노력한 시인이었으며, 20세기 미국 최고의 국민 시인으로, 전후 4회에 걸쳐 퓰리처상을 받았다(New Hampshire (1923), Frost’s Collected Poems (1930) A Further Range (1936) A Witness Tree (1942)로 4회 수상). 작품으로 시 「가지 않은 길」, 「소년의 의지」, 시집 『보스턴의 북쪽』, 『시 모음집』 등이 있다.
편역신재실
관심작가 알림신청
1941년 부여 출생으로, 한국외국어대학교 영어과를 졸업하고 동 대학원에서 문학박사학위를 취득했다. 인하대학교 영어영문학과 교수로 재직하면서 문과대학장과 한국현대영미시학회 회장을 역임했고, 현재는 인하대학교 명예교수이다. 지은 책으로 『프로스트의 자연시: 그 일탈의 미학』(태학사, 2004), 공저로 『영국소설의 흐름』(동인, 2004) 등이 있으며, 역·편저로 『로버트 프로스트 명시 읽기』(한국문화사, 2022), 옮긴 책으로는 줄리언 반스의 『10 1/2장으로 쓴 세계역사』, 『플로베르의 앵무새』, 『메트로랜드』, 『태양을 바라보며』, 『내 말 좀 들어봐』, 『나를 만나기 전
1941년 부여 출생으로, 한국외국어대학교 영어과를 졸업하고 동 대학원에서 문학박사학위를 취득했다. 인하대학교 영어영문학과 교수로 재직하면서 문과대학장과 한국현대영미시학회 회장을 역임했고, 현재는 인하대학교 명예교수이다. 지은 책으로 『프로스트의 자연시: 그 일탈의 미학』(태학사, 2004), 공저로 『영국소설의 흐름』(동인, 2004) 등이 있으며, 역·편저로 『로버트 프로스트 명시 읽기』(한국문화사, 2022), 옮긴 책으로는 줄리언 반스의 『10 1/2장으로 쓴 세계역사』, 『플로베르의 앵무새』, 『메트로랜드』, 『태양을 바라보며』, 『내 말 좀 들어봐』, 『나를 만나기 전 그녀는』, 『고슴도치』, 『레몬 테이블』, 『사랑, 그리고』, 니코스 카잔스키의 『붓다』, 그리고 소로의 『월든』 등이 있다.
신재실의 다른 상품
품목정보
- 발행일
- 2022년 10월 20일
- 쪽수, 무게, 크기
- 148쪽 | 153*225*20mm
- ISBN13
- 9791169190312
책 속으로
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이 시집이 찬사를 받은 이유 중의 하나는 뉴잉글랜드 지방의 구어 및 방언의 사용에 있어서 새로운 절정에 다다랐기 때문이다. 프로스트의 시에 등장하는 인물과 언어는 뉴잉글랜드 산골의 농장과 산림이라는 무대에 한정되어 있지만 그 무대에서 펼쳐지는 삶의 드라마는 지역을 뛰어넘어 보편적이다. 그가 그리는 최고의 그림들은 모질고 끔찍한 사건들로 구성되어 있으며,그의 시는 전체적으로 쇠퇴하고 퇴보하는 뉴잉글랜드, 즉 현대 문명의 충충한 조각들을 이어붙인 콜라보이기에 한층 아름답다. 시인 프로스트는 그의 나이 49세에 마침내 정점에 이르렀다.
--- 본문 중에서 |
출판사 리뷰
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프로스트는 출판 후 일부 논평에 당황하였다. 어느 평론가는 도피주의자 또는 시대에 뒤진 시인이라고 생각했고, 산업주의 시대에 역행하는 시인이라고 폄하하는 이도 있었다. 한마디로, 그의 시는 이른바 ‘참여시’가 아니라는 것이었다.그러나 Thompson은 Robert Frost: The Years of Triumph, 1915-1938(1970)에서 이렇게 평했다, “폭넓고 다양한 형식들forms이 … 압운의 서정시들에 담긴 신선한 메타포들, 무운시blank verse인 표제시가 지향하는 형이상학, 그리고 「곰」의 2행 연구聯句에 녹아있는 장난기와 진지함 등으로 한층 빛이 난다,”(313). 이어서 그는 “새 시집은 그의 어느 시집이 이룩한 것보다도 [프로스트의] 깊은 종교적 신앙에 대해 훨씬 더 많은 암시들을 담고있다. 그는 그 자신의 형이상학적 신앙과 관련된 직접적인 진술을 함에 있어서 자의식에서 소심하고, 때로는 짐짓 수줍어하지만, 그의 청교도적 유산을 때로는 조소하고 때로는 옹호하면서, 그에게는 중요한 유산이라는 것을 암시하는 예술적 게임을 물리칠 수 없었다,”(313)고 주장한다. 「사별」,「평화의 목자牧者」, 「눈부신 햇살에 떨기나무 옆에 앉아서」 등이 그의 종교적 신앙을 증명한다.
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