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| 발행일 | 2015년 03월 18일 |
|---|---|
| 쪽수, 무게, 크기 | 308쪽 | 152*223mm |
| ISBN13 | 9788996683681 |
| ISBN10 | 899668368X |
All About Nami Island
: 남이섬에 가고 싶다
강우현 저 / 오 수잔나 역
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나미북스(여성신문사)
|
2015년 03월 18일
저자/출판사 더보기/감추기
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관련분류
책소개 책소개 보이기/감추기
목차 목차 보이기/감추기
저자 소개 관련자료 보이기/감추기
저자 : Kang Woo-hyon
One of Korea’s most innovative graphic designers creating character and CI designs for more than 40 major companies including Jeil Bank (First Bank of Korea), Seoul Land and the National Theater of Korea, Kang Woo-hyon is also the author and illustrator of fairy tale books for children.
His efforts have earned him numerous awards including the Grand Prize, 5th NOMA Concours for Picture Book Illustration in Japan(1986) and the Gold Plaque, Biennial of Illustrations Bratislava in Slovakia(1989). Mr. Kang was also the founder of civil society organizations like the “Good Fathers Association” and “Use Recycled Paper Movement.” After his connection with Nami Island began in 2001 he has led its highly successful renaissance.
His unconventional management style has inspired countless new ways of thinking about Korea’s tourism industry. Yet, since his management style incorporates the same approach he takes to design, he feels most comfortable being known simply as a designer.
Born in 1953 in Danyang, Korea, Kang Woo-hyon completed his BA and MA in Industrial Design at Hongik University. In addition to his CI designs, he has written nine fairy tale books and several collections of essays. Currently he serves as Vice Chairman of Nami Island.
His efforts have earned him numerous awards including the Grand Prize, 5th NOMA Concours for Picture Book Illustration in Japan(1986) and the Gold Plaque, Biennial of Illustrations Bratislava in Slovakia(1989). Mr. Kang was also the founder of civil society organizations like the “Good Fathers Association” and “Use Recycled Paper Movement.” After his connection with Nami Island began in 2001 he has led its highly successful renaissance.
His unconventional management style has inspired countless new ways of thinking about Korea’s tourism industry. Yet, since his management style incorporates the same approach he takes to design, he feels most comfortable being known simply as a designer.
Born in 1953 in Danyang, Korea, Kang Woo-hyon completed his BA and MA in Industrial Design at Hongik University. In addition to his CI designs, he has written nine fairy tale books and several collections of essays. Currently he serves as Vice Chairman of Nami Island.
역자 : Suzanna Samstag Oh
Suzanna Samstag Oh has lived in Korea for more than 30 years and is currently Naminara Republic’s Minister of Foreign Affairs. The Peace Corps brought her to Korea where she worked in a village health clinic in TB control.
Following this, she managed SamulNori, a traditional percussion group and worked as editor for the Korean edition of Newsweek. She is mother to two high school-aged children. They both attend Korean schools and she plays an active role in the parents’ association at each school in addition to making regular visits to her precious Nami Island.
Following this, she managed SamulNori, a traditional percussion group and worked as editor for the Korean edition of Newsweek. She is mother to two high school-aged children. They both attend Korean schools and she plays an active role in the parents’ association at each school in addition to making regular visits to her precious Nami Island.
책 속으로 책속으로 보이기/감추기
I decided to recycle Nami by recycling. This was to be the island's rebirth. There were no other possible choices, for this was a time when the only thing that Nami had was trash. So I decided to come up with some slogans. These were the catchphrases used with the start of the big clean-up:
"From weeds to flowers, from noise to rhythm,
from wildflowers to paper, from scenery to elegance."
-46p
On Nami for 12 months of the year snowpeople live,
In spring when the flowers bloom, in summer when the cicadas cry
And in autumn when the leaves fall.
On Nami we sell snowpeople,
We make snowpeople and sell them.
We sell dolls that look like snowpeople and clocks that
look like snowpeople,
And even snowpeople cups, necklaces, and earrings.
On Nami the amount earned by selling objects that incorporated the image
Of snowpeople totaled 38,000,000 won ($ 38,000) in 2011.
Snowpeople are the most popular souvenirs on Nami.
Even if there is no snow on Nami, there are snowpeople.
On Nami even if there are no snowpeople, we sell snowpeople.
-115p
The public restrooms on Nami are also special. I would even venture that our restrooms are both the most cultural in the world and most replete with examples of the works of talented artists. Even the Chinese characters that we use to describe our restrooms are different. Originally in Korea we call restrooms “hwa-jang-sil 化粧室” which literally means “room to neaten up in.”
However I like to use different Chinese characters 畵裝室 (and play on the fact the characters have the same pronunciation “hwa-jang-sil,” but have an entirely different meaning) which means “room decorated with pictures.” The way we refer to our restrooms in English is innovative, too. Instead of toilet, we call them “Toil-art Studio.” So if you really want to translate Toil-art Studio, then the meaning is “art studio with toilet.” A space with culture??that’s the type of restroom we hope to create.
-201p
"From weeds to flowers, from noise to rhythm,
from wildflowers to paper, from scenery to elegance."
-46p
On Nami for 12 months of the year snowpeople live,
In spring when the flowers bloom, in summer when the cicadas cry
And in autumn when the leaves fall.
On Nami we sell snowpeople,
We make snowpeople and sell them.
We sell dolls that look like snowpeople and clocks that
look like snowpeople,
And even snowpeople cups, necklaces, and earrings.
On Nami the amount earned by selling objects that incorporated the image
Of snowpeople totaled 38,000,000 won ($ 38,000) in 2011.
Snowpeople are the most popular souvenirs on Nami.
Even if there is no snow on Nami, there are snowpeople.
On Nami even if there are no snowpeople, we sell snowpeople.
-115p
The public restrooms on Nami are also special. I would even venture that our restrooms are both the most cultural in the world and most replete with examples of the works of talented artists. Even the Chinese characters that we use to describe our restrooms are different. Originally in Korea we call restrooms “hwa-jang-sil 化粧室” which literally means “room to neaten up in.”
However I like to use different Chinese characters 畵裝室 (and play on the fact the characters have the same pronunciation “hwa-jang-sil,” but have an entirely different meaning) which means “room decorated with pictures.” The way we refer to our restrooms in English is innovative, too. Instead of toilet, we call them “Toil-art Studio.” So if you really want to translate Toil-art Studio, then the meaning is “art studio with toilet.” A space with culture??that’s the type of restroom we hope to create.
-201p
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