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Introduction: Human rights subjects, microhistories, and assemblages in Colombian cultural production Carlos Gardeazabal Bravo and Kevin G. Guerrieri Part I: Human rights narratives, micronarratives, and subjectivation 1 Savage states: Literature and human rights in nineteenth-century Colombia Luis Fernando Restrepo 2 The deaths inscribed in us: art, memory, and public space in Doris Salcedo Miguel Rojas-Sotelo 3 Towards emancipatory human rights narratives: Reflections on dissent, the state of siege, and embodiment in Daniel Ferreira’s Rebelion de los oficios inutiles Carlos Gardeazabal Bravo 4 Toe, cabinet, and float: Literary subjectivations of victimhood facing the human rights discourse Carlos Mario Mejia Suarez Part II: land, environment, commodity: The human and the non-human 5 The voids of memory: The reemergence of the Rubber Boom genocide in Embrace of the Serpent, by Ciro Guerra Daniel Coral Reyes 6 Culture and resistance in Montes de Maria, Colombia: Ceferina Banquez’s songs and memories of war Ligia S. Aldana 7 Colombian graphic narratives of the Post-Acuerdo: Dialogic views of water and land as human rights Felipe Gomez Gutierrez 8 Medicinal plants: Healing the relationships between human and non-humans in post-accord times Vanesa Giraldo Gartner and Cesar Ernesto Abadia Barrero Part III: Structural, political, and gender-based violence and resistance 9 Wounds and monsters: representations of gender-based violence and feminicide in the aftermath of the Colombian armed conflict Constanza Lopez Baquero 10 Rocking the Colombian casbah: Exposing lives of Colombian violence through music Eunice Rojas and Carlos A. Garcia Pinilla 11 Public secrets, private violence: A reading of Laura Restrepo’s Delirio Carolina Sanchez Part IV: Transitional justice, grassroots activism, and problematizing victimhood 12 Beyond the liberal-institutional paradigm: Grassroots human rights and transitional justice Narratives in Antigonas, tribunal de mujeres Cherilyn Elston 13 Visualizing human rights: The sanctuary of victims in the House of Memory of Tumaco Nicolas Rodriguez-Idarraga 14 Peace as a trap: Dangerousness, due process, and reintegration in Mi capitan Fabian Sicacha by Flor Romero de Nohra Juan Camilo Galeano Sanchez |