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I. From Hyperglossia to the Post-Narrative Condition (Introduction) II. Hyperglossia As Epistemic Shift in Olga Tocarkzuk’s Flights III. Technofeudalism and the Semiotic Machine: Reading Paz Soldan’s Iris Through Hyperglossia IV. Mangrove as Method: On Hyperglossia, Dispositif, and Narrative Disintegration in Maryse Conde’s Crossing the Mangrove V. Toward a Textual Topology of Excess: Hyperglossia, Non-Space, and the Crisis of Narration in Bolano’s 2666 VI. The Spiral That Explodes: Hyperglossia, Non-Space, and the Hauntology of Colonial Identity in Giannina Braschi’s United States of Banana VII. The Gloss That Refuses to End: Writing the Unfinishable ([In]conclusion) Index |