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Acknowledgements Contributors Bio Introduction Part I: Crip Time in Pandemic Time Chapter 1. Our Bodies Are the Archive: Crip Time in Pandemic Time and the Materiality of Disability Performance Carrie Sandahl Chapter 2. Disability Culture in a Time of Pandemic Jess Thom Chapter 3. On imperfect flow: dis/ability performance in times of pandemic Benjamin Wihstutz Chapter 4. Crip Time Petra Kuppers Part II: Dramaturgies of Crip Time Chapter 5. Dance, Disability and Keeping ‘In Time’ on Strictly Sarah Whatley Chapter 6. Off-beat bodies. Crip Choreography’s Temporal Politicality Michael Turinsky Chapter 7. Imposed Tactlessness. Cursory Considerations on the Beyond of Normative Time Sandra Umathum Chapter 8. Kairos Reconfigured: The Rhetoric of Actors with Intellectual Disabilities Stepping In and Out of Theatrical Time Tony McCaffrey Chapter 9. On the temporality of stuttering Elena Backhausen Chapter 10. Time-Bound Yet Time-Less: Performing Crip Time at Blind Opera and Anyadesh Rajdeep Konar Chapter 11. I Fall To Pieces Kaite O'Reilly Part III: Crip Time and Futurity Chapter 12. Future Clinic for Critical Care: MOTHER - Exploring crip maternal time in the theatre Nina Muhlemann Chapter 13. As Stiff Grew Stiffer: Theoretical and Practical Applications of Theatrical Crip Time and Four-Dimensional Dramaturgy John Michael Sefel and Rachael Herren Chapter 14. Crip Time and the Creative Process ? Choreography and Performance as Sites for Exploring ‘Normative’ and ‘Crip’ Time and the Disabled Dance-maker Kate Marsh Chapter 15. The Potential and Poetics of Rest Raquel Meseguer Zafe Index |