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Chapter One: British Art for Australia, 1860-1953: An Introduction Chapter Two: ‘Work that would meet the taste of the Colonists’: British art for Antipodean Britons Chapter Three: ‘The civilization of the people’: Australian national galleries and civic humanism Chapter Four: ‘A more extended area for English art’: The British world and the imperial art market Chapter Five: ‘The best equipped agent, with as free a hand’: advisors and selectors of British art for Australia Chapter Six: ‘A Sop to Cerberus’: Collecting the British Old Masters in Australia Chapter Seven: ‘One of the many Colonial Delusions’: Australian national galleries and British Landscape Painting Chapter Eight: ‘No highly desirable Pre-Raphaelite picture should be spared from home’: the antipodean pursuit of a British acme Chapter Nine: ‘The gap that is steadily widening’: the acquisition of ‘insular’ British Modernism by Australian national galleries, 1900-1953 Chapter Ten: Conclusions |