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I. Introduction 1. Artists' Autograph Replicas: Auras, Aesthetics, Copyright, and Economics - Julie F. Codell II Autograph Replicas: Location as Meaning 2. The American Replica: The Politics and Status of the Artist's Autograph Replica in the Gilded Age - Jo Briggs 3. "Mere dead copies"? Frank Holl’s Newgate and the Lives of Painted Replicas - Andrea Korda III. A Case Study: Albert Moore 4. Albert Moore: Themes and Variations - Richard Green 5. Repetition, Aestheticism, and Copyright Law in the Art Practice of Albert Moore - Robyn Asleson IV. Replicas and Artists’ Agency 6. Patrons' Desire: Dante Gabriel Rossetti’s Prolific Replicas - Julie F. Codell 7. Ford Madox Brown, Cultural Experience, and the Promise of the Replica - Colin Trodd 8. William Powell Frith’s Double Life: An Artist Coping with a Changing Market - Sally Woodcock V. Multiple Motivations 9. The Uncertain Status of William Holman Hunt’s Oil Replicas - Judith Bronkhurst 10. G. F. Watts’s Other Hope (1891): Anatomy of a Version - Barbara Bryant 11. Dadd's Doubles - Nicholas Tromans 12. "Splendid Architectural Paintings": The Replicas of David Roberts - Krystyna Matyjaszkiewicz with Briony Llewellyn VI. Creativity, Reputation, and the Market 13. From Replica to Original: Abraham Solomon and the Market for Modern-Life Subjects - Pamela Fletcher 14. Is He Repeating Himself? Creative, Aesthetic, and Commercial Dialogue in the Replicas of John Frederick Lewis - Briony Llewellyn 15. Celebrated Variations on a Theme: The Replicas of Edward Coley Burne-Jones - Fiona Mann 16. Elizabeth Thompson Butler: A Gendered Story of Replication? - Dorothy Nott 17. Creating and Meeting Demand: James Tissot's London Replicas - Krystyna Matyjaszkiewicz |