Preface
Introduction, Leyshon, Matless, and Revill
1. The Global Music Industry: Contradictions in the Commodification of the Sublime, John Lovering
2. The Early Days of the Gramophone Industry in India: Historical, Social, and Musical Perspectives, Gerry Farrell
3. Welcome to Dreamsville: A History and Geography of Northern Soul, Joanne Hollows and Katie Milestone
4. Victorian Brass Bands: Class, Taste, and Space, Trevor Herbert
5. Locating Listening: Technological Space, Popular Music, and Canadian Mediations, Jody Berland
6. Borderlines: Bilingual Terrain in Scottish Song, Steve Sweeney-Turner
7. England's Glory: Sensibilities of Place in English Music, 1900-1950, Robert Stradling
8. Samuel Coleridge-Taylor's Geography of Disappointment: Hybridity, Identity, and Networks of Musical Meaning, George Revill
9. Global Undergrounds: The Cultural Politics of Sound and Light in Los Angeles, 1965-1975, Simon Rycroft
10. From Dust Storm Disaster to Pastures of Plenty: Woody Guthrie and the Landscapes of the American Depression, John R. Gold
11. Sounding Out the City: Music and the Sensuous Production of Place, Sara Cohen
12. Desire, Power, and the Sonoric Landscape: Early Modernism and the Politics of Musical Privacy, Richard Leppert