Table of Contents; List of Contributors; Acknowledgements;
1. Introduction; PART I: Culture and Resistance
2. Could Briseis Consent? A Critical Comparison of Contemporary Women Writers’ Adaptations of Briseis’s Narrative
3. Stopping the Rapist in our Path: Resisting Rape Culture in Latin American Music and Performance Art
4. Mera Jism, Meri Marzi: Crisis of Consent and Digital Mediations in Pakistan
5. Do to Me What I Could Never Ask of You: Consensual Non-Consent in BDSM and the Limits of Affirmative Consent; PART II: Consent on Stage and Screen
6.‘You Have No Right to Do What You Like with Me’: Rape, Sexual Abuse, and Consent in African American Enslavement and its Afterlives
7. Without Consent or Memory: Consent in Michaela Coel’s I May Destroy You
8. Beyond ‘Yes, and...’: Consent in the Theatre Arts Curriculum, On-stage and Off; PART III: Lived Experience and (Authorial) Expressions
9. Re-establishing Identity through Testimony: The Rape Survival Narratives of Mary Hays’s The Victim of Prejudice (1799) and Mary Wollstonecraft’s Maria, or The Wrongs of Woman (1798)
10. ‘A Skin of One’s Own’: Decolonising Traumatic Testimony and the Poetics of Wholeness
11. ‘I wasn’t aware at the time, I could actually say “no”’: Intimacy, Expectations, and Consent in Queer Relationships; PART IV: Futures of Consent
12. Troubling Technologies for Sexual Consent
13. Sexual Offences and Defined Consent: Lessons from the Past and a Framework for the Future
14. Op-eds and Fashion Shows: The History and Future of Consent Education in Ireland
15. Consent Wars? Towards a Critical-Governmentality Approach to Consent in Post-Roe America
16. Afterword; Index