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Sooyoung Leam
임수영의 다른 상품
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안료를 통해 인간의 역사를 넘어 지질학적인 시간을 살펴보는 것은 물질의 형성과정과 근원에 대해서 더 깊숙이 들어가는 작업이면서 예술의 반경을 넘어 과학적 탐구의 방식을 통해 경험을 넓히는 계기를 만드는 것이기도 하다.
지질학자로서 산하를 누비며 마주하는 암석들은 지질학적 관심의 대상이 되는 광물이나 지질구조가 있어 신비하고 아름답게 느껴지지만 화려한 색깔을 가지고 있지는 않다고 생각했다. 그런데 이은경 작가의 광물기원 안료의 지질학적 분석을 함께 하면서, 암석을 이루는 광물들이 숨기고 있던 수수한, 때로는 화려한 색상에 대해 새로 깨닫게 되었다. 이를 활용한 작품들에서는 회화적 아름다움뿐 아니라 지질학적 향기를 강하게 느꼈다. 물감은 언제 색이 될까. 바탕은 넝제 표면이 되고 자굼은 언제 지표가 될까. 불분명한 경계에 대한 이 궁금증은 전시 제목이 암시하듯 사물을 “장기적 사건”으로 바라보는 이은경의 관점에서 촉발된다. 모든 사물이 각자의 시간 속에서 변화하는 방식에 주목한 카를로 로벨리(Carlo Rovelli)에 의하면, 돌처럼 가장 사물다운 것조차도 물리학의 관점에선 그런 상태를 일시적으로 유지하고 있는 “사건의 집합”일 뿐이다. --- 본문 중에서 |
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Contributors
Eunkyung Lee Continuing the Egg Tempera series, Eunkyung Lee has been researching material states and the time of pigments that can contribute to the surface, and experimenting on the structure of the painting. Lee has held solo exhibitions such as Indexing Long Events (WWNN, Seoul, KR, 2024), Placeholder (Placemak, Seoul, KR, 2020), and Mysterious Continuum (Thisweekend Room, Seoul, KR, 2017), and participated in and co-organized numerous group exhibitions such as Hand to EYE (BOL Gallery, Singapore, 2023) and Colour and Poetry (Slade Research Center, 2019). She graduated from the Department of Painting at Seoul National University and majored in painting at Slade (UCL). She has recently completed the doctoral program in the college of Arts at Seoul National University. Jusun Woo Jusun Woo graduated from School of Earth and Environmental Sciences, Seoul National University in 2009 with Ph.D. on depositional environments of the Cambrian-Ordovician strata of Korean Peninsula and Shandong, China. Then he worked for Korea Polar Research Institute and led geologic field camps to Antarctica and Arctic area. He returned to his alma mater as a professor in sedimentary geology in 2019 and is working on evolution of sedimentary basins in Korea and adjacent regions. Sooyoung Leam Sooyoung Leam is an art historian and curator based in Seoul. She specializes in modern and contemporary art with a particular focus on East Asia. Her ongoing research on archives explores intersections between sculpture, performance and politics. She studied History of Art at Cambridge University and completed her PhD at the Courtauld Institute of Art. Her written work has been published in numerous academic journals and edited volumes. Her recent curatorial projects include the 14th Gwangju Biennale (Gwangju, 2023), Spirals, Loops, Mutants (Shanghai, 2023) and To A Faraway Friend: Beyond Afro-Southeast Asian Affinities (Busan, 2022). Sooyoung teaches at Seoul National University and Kyunghee University. Eazel magazine Eazel magazine is an online publication operated by Eazel, covering a plethora of art-related content from exhibition reviews and interviews to artist studio visits and market analyses. In line with the spirit of our comprehensive, user-friendly platform combining art and cutting-edge technology, Eazel magazine aims to make art more inclusive and accessible to our readers. Connecting artists, gallerists, institutions, curators, collectors, and art enthusiasts around the world, Eazel magazine is a haven for exposure, representation, critique, and education. |