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Series Foreword by Ian Parker Acknowledgements Introduction Chapter 1. The Real of Realness: Pose, Paris Is Burning and the limits of authenticity Chapter 2. The Feminine Shadow: Sexual difference, race and noir in Sharp Objects Chapter 3. WELCOME 2 REALITY: Ryan Trecartin’s Priority Innfield Chapter 4. Bodies That Shatter: The negative content of 120 BPM Conclusion: Coda: Unfixed and Open-Ended Bibliography and Filmography |