List of illustrations, Charlotte Brady-Savignac, Andre Habib, Louis Pelletier,Louis Pelletier, and Jean-Pierre Sirois-Trahan - Foreword, Chapter 1 : Andre Habib, Louis Pelletier, and Sirois-Trahan - Collecting Cinema, Rewriting History: Between the Visible and the Invisible, Chapter 2: Janet Bergstrom - Out from the Shadows: Lotte Eisner's Significance as a Collector, Chapter 3: Anne-Marie Malthete-Quevrain - Repatriating the Work of Georges Melies: The Collection of Madeleine Malthete-Melies, Chapter 4: Kimberly Tomadjoglou - Her Eyes that Saw-Maria Adriana Prolo's Dream of A Museum of Cinema, Chapter 5: Clara Auclair - The Personal Is Technical: Strategies of Remembrance in the Francis Doublier Collection, Chapter 6: Dimitrios Latsis - The Beginnings of Cinema as a Museum Exhibit: The Cases of the Smithsonian Institution and the Science Museum in London, Chapter 7: Sabine Lenk - Robert Vrielynck-The Microcosm of Small Changes, or: Collecting Details and Not (Only) Principles, Chapter 8: Frank Kessler - Werner Nekes-the Film Maker as Collector and Model, Chapter 9: Anne Morra - The Pleasure of Possession: Joseph Cornell, Chapter 10: Andre Habib & Bruce Posner - Eclipses, Ellipses, Explosions: Joseph Cornell as Filmmaker & Collector. A Conversation Between Andre Habib and Bruce Posner, Chapter 11: Peter Rist - Notes on William K. Everson, Chapter 12: Ernie Gehr - Confessions of a Filmmaker-Collector, Chapter 13: Ken Eisenstein - Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector, Chapter 14: Noah Teichner - Collecting Methodologies with the Phonograph: The Performance of Canned Vaudeville, Chapter 15: Philipp Dominik Keidl - Film and Media Merchandising in the Eye of the Fan Historian: Practices, Objects, Media, Chapter 16: Stefanie Zingl - The Memory of a Suitcase. Margret Veit's Film Souvenirs, Chapter 17 : Charles Tepperman - Margaret's World: The Creative Geography of an Amateur Filmmaker, Chapter 18: Rick Prelinger - The Emergence of Collecting and the Effacement of Archives, Contributors, Index.