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List of figures List of tables List of abbreviations Acknowledgements Introduction Part1: R. M. Schindler’s design theory, languages and methods Ch. 1 Theoretic foundations of space making Ch. 2 Framing of space: sources and influences Part2: Selected unbuilt works Ch. 3 New lights on the Workmen’s Colony of the Monolith Home (1919) Ch. 4 Bergen Branch Library competition (1920): Unpremiated submission with the winning scheme Ch. 5 Translucent House for Aline Barnsdall, Palos Verdes Estates (1927?28) Ch. 6 Braxton?Shore Beach House (1930): Departure from the 1920s Ch. 7 Projected in and out in the Oliver House (1931) Ch. 8 Locke House (1933): Directed rooms with L-shaped surfaces Ch. 9 Schindler Shelters ?42): Composition and construction for low-cost housing units and incremental clustering Ch. 10 Full-blown rhythmic forms in the Shep House (1934?38) Ch. 11 Curvilinear form in the Warshaw House (1936) Ch. 12 Toward nonorthogonal space forms in the Timme House (1938) Ch. 13 “Space Development” (1945) and its subsequent applications for the Braden House and the Schick House (1945) with the Schindler Frame Ch. 14 Tilted box form in the Elmer House (1951?52) Conclusion Index |