Part 1 A New Perspective on the Origin of Art Exhibition
1. The Origin of the Design of Exhibition Space: From Cave Art to Göbekli Tepe
2. Art Exhibition from the Classic Perspective
3. An Historical Perspective of Architecture for Art Exhibition Part 2 Present and Future Scenarios for Art Exhibition
4. Graphic Narratives for Social Transformation: Weaving Stories into the Built Environment
5. Future Developments
6. Community Resilience at the Venice Biennale (2021–2023) Part 3 Practice-Based Research in Contemporary Art Exhibition
7. Art Exhibition: Guest Contributions, Case Studies, Professional and Academic Experiences
Part3.1 Innovations and Challenges in Traditional Art Exhibition Settings: Guest Contributions
8. Meta-Exhibition Designs
9. The Architecture of Exhibitions and the Exhibition of Architectures: What Are We "Left" With?
10. The Tyranny of Distance? Pa t
3.2 Interdisciplinary Innovations and Immersive Experiences
11. Components, Representations, and Pixels: Three-Dimensional Resolution Through Digital Fabrication
12. Stereoma: Designing an Immersive Spatial Experience
13. Field Notes from My Little Aurora: Close Encounters of the Robotic Kind. Enacting Human-Robot Coexistence in Everyday Life Performing Spaces
14. Marmomac Meets Academies: The Greatest Show of Stone Experimentation
15. Toward Non-Humans’ Embassies
Part3.3 The Social, Political, and Narrative Dimension of the Art Exhibition
16. 416_SR1938: The Presence of Memory in the Perceptual Experience
17. Holier Than Thou
18. Phygital: A Designer’s Call to Action
19. Enhancing the Sense of Place Through Performative Arts: The Case of Venice
20. Visual Voices: Female-Themed Murals as Community Exhibitions in the South Bronx
21. Gravitational Waves Architecture: Architecture as a Tool for the Transmission of Scientific Knowledge Part 4 Conclusion
22. Reflection and Conclusion on the Evolution and Innovation of Exhibition Spaces
23. Handbook: Designing Exhibition Spaces