1. Introduction
2. From Benshi to Subtitler: Translating Chinese-Language Cinema in/for Japan
3. Transnational by Means of Hyperlocal: Sinophone Cinema in Singkawang (West Kalimantan)
4. The Interlocking Cogs of Audiovisual Translation and the Socio-political Landscape: A Cultural Exchange between Korea and China
5. The Trans-narration of Chinese Kung Fu Films by Swahili language DJs, in Tanzania
6. Chinese Cinema in Spain
7. Chinese Cinema at the Invitation of French Cinema Literati: Chinese Film Events and Festivals in France
8. The Issue of “Chineseness” in the Italian Translation of Chinese Films between the Early 1990s and 2018
9. Patronage in Chinese Film Dissemination and Translation from 1971 ? 1993: The German-Language Countries
10. A History of Firsts: The Translation and Distribution of Chinese-language Films in the United Kingdom
11. Film Audiences as Context for Translation: Three Sketches of Chinese Cinema in the United States
12. The Celluloid Road across the Pacific: Chinese Film Exhibitions in 1920s Honolulu
13. Brief Analysis of Chinese Films within the Film Industry in Argentina, Chile, Mexico, and Uruguay