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Prologo Ugo Volli Introduction Part1: From Phisical To (q)Face 1. Mutable topography: physiognomy and pathognomy 2. Of faces and traces: a mutable topography 3. (q)field, synthetic data and hallucinated portraits Part2: From Masking To Enacting Face 4. Wearing the self: performativity and masks 5. Care, memory and intersubjective transmission Part3: From Body To Space Face 6. Carving emptiness: on breath and wave 7. Intra-action, proto-voice and art 8. Carving emptiness: on space and wave Conclusion Epilogue Index |