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Acknowledgments Introduction 1: Engendering Modernism: Degeneration, the New Woman Fiction and Modernist Origins 2: The History of Nightwood's Production 3: T. S. Eliot’s Professional Association with Djuna Barnes: The Publication of Nightwood 4: Nightwood's Narrative Productivity 5: The Third Sex: Gender 'Hermaphroditism' or Androgyny? Conclusion Notes Bibliography Index |