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Acknowledgments
1. Introduction 2. Roots of Mary Shelley's Dramatic Sensibility 3. Frankenstein : Storytelling as Dramatic Performance 4. Mathilda : Life as Theatrical Production 5. The Last Man : Autobiography as Drama 6. Valperga : Theatrical Plots and Dramatic Intrigue 7. Perkin Warbeck : Problematic Roles and Identities 8. Lodore : Public Spectacle and Private Lives 9. Falkner : The Illusion of Romance 10. Conclusion Notes Bibliography Index |