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INTRODUCTION 1 PRELUDE “The Garden: A Topological View” 2 THE ANCIENT HUMAN: Retracing the Past 2a. “An Exquisite Appearance, a Beautiful Mind? Thinking of Plato’s Charmides in Plutarch’s Life of Demetrius” 2b. “A Beauty’s Letter and the Beasts: Ariadne’s Heroidian Epistle (Ov. Her. 10)” 2c. “Infernal Women: Polysemic Winged Figures in Etruscan Art.” 3 ON OTHERNESS: A New Kind of Body 3a. “Bodies of Hybridity: Animal, Cyborg, and the Supernatural Becoming” 3b. “Teratological Machine in the Female Body: the “Hottentot Venus” as Beauty-and-the-Beast From a Decolonial Feminist Perspective” 3c. “Female Body, Disgust, and the Erotic Redefined: The Dialectic Mindshaping” 4 HYBRIDITIES: New Genres and Contexts 4a. “Anthropogarde of Stage, Cult, and the Popular: Co-ritus, Labyrinths, Actions” 4b. “The Politics and Poetics of Contemporary Africanfuturist fiction” 4c. “Beauties and Beasts; A Personal Lens to the Backstage of Story-creation” 5 PERFORMING THE HUMAN: Metamorphosis in Art 5a. “WHEN UGLINESS IS TURNED INTO ORGANS OF SEDUCTION” 5b. “ReWired, ReMixed, and ReImagined: An Interview with Stelarc” 6 TECHNOLOGY VS CANONIZATION: Alternative Ontologies and Crossing Boundaries 6a. “Creating Life: An Embryo Assembly Line” 6b. “Art of the AIs, By the AIs, For the Art’s Sake.” 6c. “Robots-Signs of Disruption” 7 SPATIAL ONTOLOGIES: Space and Human Transformation 7a. “Architectural Representation as a Body without Organs” 7b. “Exploring the Urban Jungle: Making Space for Wildness in Cities” 8 THE END OF THE HUMAN: Death and Reflections into Morbidity 8a. “The Aesthetics of Hollowed Experience: Benjamin, Ensor, James” 8b. “Desiring the Zombie” 8c. “Medusa, Monstrous Beauty, and Neuroaesthetics” 9 CODA “Truth, Beauty, and Hungry Monsters” 10 UN-ENDING “Portrait of a Transforming Human” |