Introduction 1. Italy-Spain in the Renaissance: Model, Active Reception, Reaction, Rejection 2. Valencia. Art in a Mediterranean Metropolis in the Fifteenth Century 3. The Road between Vélez Blanco and Murcia: A Southern Crossroad for the Italo-Spanish Dialogue at the Beginning of the Sixteenth Century 4. From Donatello to Titian. Notes on Replicating and Re-Reading Images in Sixteenth-Century Spanish Sculpture 5. Marcantonio Goes Global 6. The “Apocalipsis de San Amadeo” from Renaissance Italy to Viceregal America: Veiling and Revealing Visual Arcanes 7. Reception of Vasari as a Painter: The Immaculate Conception Outside of Italy 8. From Seville to Lima and Back to Seville: Two Crucifixions by Juan Martínez Montañés 9. Three Pistils, Three Nails. The Passion Flower and the Debate on the Iconography of the Crucifixion in Early Seventeenth-Century Spain 10. Between Identity and Transformation: Neapolitan Sculpture in the Hispanic World