Volume I: Ideology and Politics, Acknowledgements, A Note on Translations, Introduction, Part I Theories of Ideology,
1. Cinema/Ideologie/Critique: An Epistemological Break?,
2. Jean-Louis Comolli and Jean Narboni: Crossed Lives,
3. Décalages: Young Mr. Lincoln de John Ford,
4. La Vicariance du Pouvoir and the Battle of Othon,
5. Technique et Ideologie by Jean-Louis Comolli,
6. Afterlives of the Apparatus, Part II Engagements with Politics,
7. The Radicalization of Cahiers: 1963-1969,
8. Cahiers du cinéma and the Rapprochement with the PCF: 1969-1971,
9. Cahiers du cinéma's Turn to Maoism: 1971-1973,
10. Cahiers du cinéma and Jean-Luc Godard,
11. Cahiers du cinéma in the Post-gauchiste Era: 1973-1981,
12. Bernard Eisenschitz: Cinema, Communism and History,
13. Jean-Louis Comolli: A Theoretical Practice of Political Cinema, Volume II: Aesthetics and Ontology, Part III Questions of Aesthetics,
14. Encounters with Structuralism,
15. Beyond Structuralism: Film Form and Écriture,
16. Re-reading Classical Cinema,
17. The Defense and Critique of Cinematic Modernism,
18. Encountering the World Through Cinema,
19. The Film Aesthetics of Jacques Aumont,
20. Two Ciné-fils: Pascal Kane and Serge Daney, Part IV Encounters with Ontology,
21. The Bazinian Legacy,
22. Jean-Pierre Oudart and Suture,
23. Realism and Psychoanalysis in Pierre Baudry,
24. Partial Vision: The Theory and Filmmaking of Pascal Bonitzer,
25. The Brain is the Screen: Cahiers du cinéma and Gilles Deleuze,
26. Film Ontology in the Age of New Media, Conclusion, Index of Names Cited.