Richard Mackenzie Bacon, Opera in England as Seen in the Quarterly Musical Magazine (1821-8)

The Weber Phenomenon

‘Prefatory Remarks’ to Der Freyschutz (1824)

[Anon.], Review of Der Freischutz (1824)

[Anon.], Review of Oberon (1826)

[Anon.], Vocal and Dramatic Institution, a Prospectus (1829)

[Anon.], An Explanation of the Differences Between the Manager of the Italian Opera and the Non-Conforming Members of the Late Orchestra (1829)

Thomas Monck Mason at the King’s Theatre

Thomas Monck Mason, Prospectus of the Plan Intended to be Pursued in the Direction of the Italian Opera House (1831)

Thomas Monck Mason, Programming the Arrangements at the King’s Theatre for the Season (1832)

Herbert Rodwell’s National Opera

G. Herbert Rodwell, A Letter to the Musicians of Great Britain (1833)

G. Herbert Rodwell, Printed cover letter, National Opera Prospectus, and the handbill for the Musical Festival (1837)

The Malibran Phenomenon

W.H.O., Memoirs, Critical and Historical, of Madame Malibran de Beriot (1836)

The Star of La Scala (1837)

Her Majesties’ Theatre 1837-9, by an Amateur

Her Majesties’ Theatre (1837)

Hints on the Italian Opera in Italy, France, Germany and England (1839)

George Egestorff, A Lecture on Music (1840)

William Michael Balfe, English Opera House (1841)

Henry Forthergill Chorley, ‘Music and the Drama’, a Review of Balfe’s The Daughter of St Mark (1844)

[Anon.], ‘A Brief History of the Theatrical Question’, (1843)

Editorial Notes

Index