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Part I. Why We Need Stories and the Stability of the Subject 1. Quilted Quotations and the Pleasure of the Text 2. Reflective Reading: Beyond Reader-Response to the Unconscious of Reading 3. Out Classed: The Family Romance as Fantasy of Upward Mobility 4. To Write a Different Story: Reflective Reading as a Pedagogical Practice of Restorative Justice for Racial Oppression Part II. History as Meconaissance 5. Modernist Biography and Meconnaissance: The Bloomsbury Group’s Oedipal Resolution 6. The Quilting Point: Vita Sackville-West’s Secular Joan of Arc Part. III Narrative Instability 7. Reflective Reading, Faith, and Transformation in Susan Howatch’s Church of England Novels 8. Walking Contradiction: Johnny Cash and the Instability of the Subject 9. Depicting the Undepictable: The Reflective Analysis of Alison Bechdel’s Are You My Mother? Afterword: A Twisted Wrench and a Sunbonnet Quilt |