Introduction to the Series, Foreword: Corresponding Scores, Introduction: Postmodern Musical Poetics and the Problem of “Close Reading”, “A Few Words to Sing”, Feminist Theory, Music Theory, and the Mind/Body Problem, Superior Myths, Dogmatic Allegories: The Resistance to Musical Unity, Rewriting Schenker: Narrative- History-Ideology, Analytical Fictions, Lieder, Listeners, and Ideology: Schubert’s “Alinde” and Opus 81, The Silence of the Frames, Voices Within the Voice: Geno-text and Pheno-text in Berio’s Sequenza III, Desire, Repression and Brahms’s First Symphony, Commentary: Poststructuralism and Issues of Music Theory, Permissions